After three long years the young secretary Bodil is reunited with her former love, Carsten. Unfortunately, she has in the meantime approached the skirt-chaser Hugo. If she wants to have a future with Carsten she has to find a solution but it’s not easy.Read More »
PLOT: A violent quarrel breaks out between a couple at midnight. Being at a relative,s house in the north of Iran, they depart for Tehran in the middle of the night, but they do not bring along their son. Something terrible happens on their way…Read More »
A monkey like man found in the jungles of Congo is brought to Milan, Italy and is called Bingo Bongo. Only Laura, an anthropologist, believes in his human qualities.Read More »
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John Woo displays the crucial distinction in the magnificently told Red Cliff, the Hong Kong director’s triumphant return to Chinese film after 16 years in Hollywood” and “with Red Cliff, Woo shows he’s still a masterful director to be reckoned with.Read More »
Rouven Linnarz wrote:
Although she would go on to make feature films as an actress, Kinuyo Tanaka’s last project as a director would be the 1963 jidaigeki “Love Under the Crucifix”, a work based on the novel “Ogin-sama” by Toko Kon. At the same time, given her development as a filmmaker, this is truly an interesting climax to a career which saw her progressing more and more, developing her skills, especially when it comes to cinematic storytelling. Additionally, the themes that defined her previous works such as “Love Letter” and “Forever a Woman” also found a fitting conclusion in a feature that, even though it was not set in the present as her other movies, it certainly made a very relevant point about gender roles within Japanese society as well as the conflict between duty and desire as expressed in the story of the main characters.Read More »
The White Hell of Piz Palü opens with the male protagonist, Dr. Johannes Krafft, who mountain climbs with his wife on their honeymoon. At the sight of an avalanche, he laughs arrogantly. Nature seems to retaliate, and moments later Dr. Krafft’s wife slips, plummeting down a small, deep crevice. The encounter with forces of nature initiates Dr. Krafft’s grief-driven search effort to rescue his wife.Read More »
This film, the first in what has become a semi-autobiographical trilogy for Smihi, follows the everyday experiences of Mohamed-Larbi Salmi against the changing Moroccan society. In 1950s Tangier, Larbi Salmi is a young, timid, pre-teen, boy, trying to make sense of the gentle religious upbringing of his father, the secular education offered him in French school, and his budding desires for the forbidden pleasures of the cinema and the women he meets through it. All the while the film offers a tapestry of fifties Tangier, an international zone marked by the influence of Arab, Berber, European and American histories. ‘This film is dedicated,’ Smihi has stated, ‘to all those in the Arab world who cry out, “long live our freedom, all of our freedoms.”’Read More »
Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.Read More »
Three hypersexual women spend 26 days in a quiet house by the lake. They are Léonie (serious), Eugénie (impulsive), and Gaëlle, a.k.a. Geisha (flirtatious). They are all there voluntarily, and the motto of the undertaking is that “hypersexuality is not a disease.” The aim of this experiment is not to heal but rather to enable a frank exploration of different experiences, forms, and extremes of desire. If you are familiar with Côté’s work, you may have learned not to expect ready-made answers or to be hit over the head with a message. Côté assembles a remarkable ensemble of performers in a film that asks more questions than it answers. That Kind of Summer had its world premiere in the Berlinale’s Competition section.Read More »