Трудно быть богом

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Andrei Tarkovsky is the most famous Russian director, who during his lifetime was called a genius. He did not take many pictures, but they all became classics of world cinema. “Andrey Rublev”, “Solaris”, “Mirror”, “Stalker”. It seemed that he created his films from air, water and fire, from deep emotions and even his own dreams. This is an extremely sincere, confessional art, but what is the creator who created it?! What was this God who lived the mortal life of a man with his weaknesses, fears, doubts? For the first time we will tell about the real Andrei Tarkovsky, we will open the veil of his strange, mysterious and very personal worlds.Read More »

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Arthur Lipsett’s first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, “Very nice, very nice.” The film was nominated for an Oscar for Best Live Action Short Film.Read More »

When Cyndi and David Dowaliby’s daughter Jaclyn is abducted, they find themselves blamed by the story-hungry media. Only a commited journalist, a university professor, a lawyer and a seasoned detective see through the hysteria and attempt to help the parents get to the bottom of this terrible crime.Read More »

In 1961 Lithuanian American artist and impresario George Maciunas established the avant-garde art movement Fluxus. George details the rise of Fluxus following a sensationalized tour of “concerts” in Europe in 1962, and continuing in New York for most of the 1960s and ’70s. During this time Maciunas was converting the dying industrial buildings of Soho into a network of artists’ lofts, creating one of the first official real estate co-ops of artist-owned buildings. Maciunas’s life and legacy—as recounted by artists of his generation, including Yoko Ono and Jonas Mekas—ignited debates that remain pivotal to artists working today.Read More »

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The first feature film from Spanish director Pedro Almodóvar is controversial and shocking, especially the time it was made (although not that shocking in Spain), but also very funny. Basically it is a movie about nothing, although it shows a pop-culture that Almodóvar inhabited.

We see how Pepi (Carmen Maura) is raped by a policeman (Félix Rotaeta) after she offers sex, although tries to back out, so he would not report her illegal cannabis plants. Pepi seeks revenge and she lets her friends beat the guy up. It seems they have beaten his twin brother so Pepi must come up with another plan. She tries this through the policeman’s wife named Luci (Eva Siva) who turns out to be a masochist, perfect for Pepi’s friend Bom (Olvido Gara) who likes to disparage her.Read More »

Reared by a childless ape, the orphaned heir of the Greystokes becomes one of the apes. Then Dr. Porter organizes a rescue expedition, and his beautiful daughter Jane catches his attention. Has Tarzan of the Apes found the perfect mate?Read More »

A Sicilian couple struggles with the wife’s refusal to consummate the marriage and the husband’s repeated schemes for infidelity.Read More »

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The action takes place on the French Riviera. Joe Mark, known as The Red, arrives in flight from the USA. He is an old gangster who improvises as a detective to find out who stole a precious painting by Murillo from a castle belonging to his relatives – a copy, actually – and brings to light a hotbed of hypocrisy, dishonesty, cheating under the arrogant good manners of the aristocratic family.
Entrusted to the congeniality of the brilliant leading actor Falconi, it is a satirical comedy on the passion for foreign styles, American particularly, trendy at the time and opposed by the fascist regime, and in particular on gangsterism whose Italian-mafia component is sought to erase.
MorandiniRead More »

Betty Boop attends a May Party (May Day?) dressed as a queen in the second of her three party cartoons of 1933, but is relegated almost to the role of a supporting character, only getting to sing a few verses of the song “Here We Are”. Most of the cartoon is taken up by typical surreal sight gags in the Fleischer style and, during the last two minutes, some of the wildest and rubberiest animation of any cartoon in the series to the tune of “It Don’t Mean a Thing (If It Ain’t Got That Swing)”.Read More »