Hasan is a taxi driver working the night shift. On the early-morning drive home, he sees a woman passing in high heels. Fascinated by her appearance, he does something that leads to disaster in a world where the boundaries of masculinity are clearly drawn.Read More »
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A University professor, meets a student in a bar. She claims that her name is Aurore, and that she sent him a paper on his latest book. A few days later, Vichac, who has found Aurore’s paper (and her address), turns up at her apartment. This is the start of a period of misunderstanding, romantic confusion and seductive schemes that ends in a major crisis for Vichac and his wife, Aliette.Read More »
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Presentation of a commited State Party (Socialist Unity Party of Germany) secretary at the Chemicals Combine in Buna. A former miner and small farmer rises to a leading political position – symbol of a typical Party career.Read More »
Enjoyably strange, The Owls is an ambitious mixture of lesbian noir, radically experimental filmmaking and community project; a piece of collective art about age, politics, race, desire and gender anxiety. At a house party hosted by a group of Older Wiser Lesbians a young queer is murdered and their disappearance covered up, but just as the group of women let down their guard, a mysterious stranger comes asking questions.Read More »
This cinematic essay posits science fiction (with tropes such as alien abduction, estrangement, and genetic engineering) as a metaphor for the Pan-African experience of forced displacement, cultural alienation, and otherness.
Included are interviews with black cultural figures, from musicians DJ Spooky, Goldie, and Derek May, who discuss the importance of George Clinton to their own music, to George Clinton himself. Astronaut Dr. Bernard A. Harris Jr. describes his experiences as one of the first African-Americans in space, while Star Trek actress Nichelle Nichols tells of her campaign for a greater role for African-Americans in NASA. Novelist Ismael Reed and cultural critics Greg Tate and Kodwo Eshun tease out the parallels between black life and science fiction, while Delaney and Butler discuss the motivations behind their choice of the genre to express ideas about the black experience.Read More »
Fearful that their star witness might be murdered, two attorneys hire a protector to bring him from Los Angeles to New York. Jesse Crowder (Fred Williamson) is a no-nonsense tough guy. He buddies up with the witness, an accountant, and they hit the road. Outwitting their foes means taking all manner of conveyance, including automobile, train, and airplane. At every turn, Crowder and the witness face a variety of attacks, including gunfire and knife-wielding villains. At ease with the ladies, Crowder manages the entire journey with shirt unbuttoned and stogie clenched firmly in his teeth.Read More »
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A modern recreation of the legend of Hyppolytus subtly reveals homosexual and incestual motives among its three protagonists as it mingles reality and memory. Particularly noteworthy is the attempt to portray thoughts and flashes of memory by inserting bursts of single-frame, almost subliminal shots into the main sequence which proceeds in different time and space.Read More »
A group of people suffering from mental retardation, blindness and physical malformations work in a traveling circus.
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If there is a controversial Mexican cinema that tried to renew itself, it is undoubtedly that of the seventies. A tough and sad drama that tackles thorny and controversial issues under a trashy layer of violence, sex and exploitation. I give it high marks for the audacity of filming this at that time of censorship, unthinkable that today something like this (so politically incorrect) would be filmed in Mexican cinema.Read More »
Follow-up to Ed Wood’s “Plan 9 from Outer Space” about the walking dead, It opens in a cemetery. Criswell, the “real” medium, rises from his coffin to tell us of “monsters to be despised.” Dr. Acula (Kenne Duncan) is a phony medium aided by Valda Hansen, a bogus ghost, and big Tor Johnson, wearing rags and horrible scar makeup as Lobo. The doctor swindles people by pretending to contact dead relatives, but then accidentally succeeds in reviving a bunch of corpses that bury him alive! Sat unreleased for 23 years because Wood couldn’t pay the lab bill! Followed by “Sinister Urge” in 1961 (Wood’s last film).Read More »