SYNOPSIS
Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.Read More »

Peigang, his family’s only son for three generations running, is to be executed on account of larceny, but not without the intervention of his grandmother.Read More »

FUGUE ON THE BLACK KEYS tells the story of an African student who studies the piano in Prague in the 1960′. The movie is shot in the style cinéma-vérité and follows young Farari in the school, with friends and on the streets where he had to deal with different characters.Read More »

Synopsis
“Pianosequenza”is a bet and together a provocation. A feature film turned in digital way that expect no operation of editing, an only long breath that remains attached to the characters without break, it capturing with the agility of the moving camera every minimum jump, every detail, every variation in the expressive band and in the physical action of the actor. “Pianosequenza” wants play with time and take possession of it. The real time, Not the sham time, perceived time , and it’s the rarity, in the same way for the actor and for the audience. The theme of “Pianosequenza” born from a reflection on fate and destiny. Bunuel asserted that he was fascinated from as, events very important, , come for a connection of fates. Read More »

EXPLICIT CONTENT
It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.Read More »

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The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.Read More »

Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders…Read More »

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A kindly English botanist and a gruff American promoter lead an expedition to the Himalayas in search of the legendary Yeti.Read More »

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John Waters made bad taste perversely transcendent with the forever shocking counterculture sensation Pink Flamingos, his most infamous and daring cinematic transgression. Outré diva Divine is iconic as the wanted criminal hiding out with her family of degenerates in a trailer outside Baltimore while reveling in her tabloid notoriety as the “Filthiest Person Alive.” When a pair of sociopaths (Mink Stole and David Lochary) with a habit of kidnapping women in order to impregnate them attempt to challenge her title, Divine resolves to show them and the world the true meaning of the word “filth.” Incest, cannibalism, shrimping, and film history’s most legendary gross-out ending—Waters and his merry band of Dreamlanders leave no taboo unsmashed in this gleefully subversive ode to outsiderhood, in which camp spectacle and pitch-black satire are wielded in an all-out assault on respectability.Read More »