Yasujirô Shimazu

Practically a template for post-war Ozu — by Ozu’s (slightly) senior colleague at Shochiku. Shimazu’s millieu here (reasonably well off middle class) and domestic dilemmas presented are closer to late Ozu than pre-war Ozu is. Shin Saburi is a salaryman married to Kuniko Miyake (an Ozu mainstay from the 40s through the 60s), with a younger sister (Michiko Kuwano). Saburi has job problems — and has to worry about marriage prospects of his sister (who is a westernized office girl). Whenever the family runs into problems, they turn to family friend Chishu Ryu (playing a part very like that he plays in Ozu’s Early Spring). The solution to the family’s woes, however, betrays its era — a move to Japanese-occupied Manchuria as colonists.Read More »

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Kazuo Hasegawa has wild friends and hates being compared to his stepbrother, Reikichi Kawamura, who is steady, works hard at his taxicab business, and is amiable. That’s why he left home a year ago. Now he has heard his mother is ill, and wants to come home, but thinks she hates him. That’s nonsense, says Kawamura. Hasegawa agrees to reform. Just then two men come in and want to hire a cab. Everyone has gone home for the evening, so Hasegawa shows his willingness to reform by taking the fare. They drive to a distant house. They ask him to wait. While he does so, Kinuyo Tanaka pops out, begs him to help her escape. He does so. The two men are her step-brother, and the man everyone wants her to marry…. except her, of course.Read More »

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Fascinating remake of Sternberg’s “Docks of New York.” The geometric and pictorial aspects, as in the case of many Japanese films, and especially those of this time period, fascinate as much as the story. The push/pull, attraction/repulsion dynamic of the romance between the lowly ship stoker and the “fallen woman” he rescues from drowning gives a charge to the claustrophobic confines of their scenes together. The fight scenes between the men fascinated me also: a chaotic melange of sprawling limbs, bodies leaping over one another, sharp jabs and uppercuts.Read More »