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The 1962 documentary Lonely Boy, directed by Wolf Koenig and Roman Kroitor, is a film about the manufacture of a pop idol. Paul Anka, the subject of the documentary, is a popular performer at the peak of his career, but the directors use a variety of strategies to express their view of him as an isolated figure who is seen by his handlers as a piece of merchandise and whose success is questionable. They do this through interviews which focus on the process of Anka’s rise, frequent references to the merchandising operation he is at the center of, editing that highlights the freakishness and hysteria of his fans, and frequent shots that emphasize his isolation. Several other films made in the 1960s dealt with the phenomenon of celebrity in the same cinema vérité style, and examining how the editing choices made by Koenig and Kroitor differ from films such as Primary (Robert Drew, 1960), What’s Happening! The Beatles In the U.S.A. (Albert and David Maysles, 1964) and Don’t Look Back (D.A. Pennebaker, 1967) is useful in illustrating the directors’ skeptical view of the celebrity machine and the idea that despite Anka’s success, Lonely Boy can be seen as yet another Canadian film about failure.Read More »