Western

  • Joshua Logan – Paint Your Wagon (1969)

    1961-1970Joshua LoganMusicalSinging CowboysUSAWestern

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    Summary:
    “Ben and Pardner shared everything…even their wife!”

    Marvin and Eastwood star as California prospectors during the Gold Rush of 1849-50. Eastwood is the calm, restrained one; Marvin is noisy and rambunctious. Marvin buys a wife, Seberg, from a local Mormon. Then, to make sure the lonely local miners will leave his new bride alone, he hijacks a wagonload of prostitutes and takes them to the prospectors in the mining town he has founded, No Name City, setting them up for business at a saloon. While Marvin is away, Eastwood and Seberg fall for each other; but when Marvin returns and discovers the affair, Seberg declares that she’d like them both as husbands.
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  • Burt Kennedy – The Good Guys and the Bad Guys (1969)

    USA1961-1970Burt KennedyWestern


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    Plot Synopsis by All Movie
    In this comic western, Flagg (Robert Mitchum) is a veteran marshal forced to retire by the pompous Mayor Wilker (Martin Balsam). McKay (George Kennedy) is a wily gunslinger. The two combine forces to stop a young band of outlaws from robbing the train when it pulls into the station. Flagg warns the mayor of the upcoming attempt but is not taken seriously by the town politician. McKay and Flagg ride out to warn the train of the impending crime, which finds McKay facing members of his own gang in a traditional western showdown. David and John Carradine appear in this feature along with Tina Louise and Lois Nettleton.Read More »

  • John Sturges – Last Train from Gun Hill (1959)

    1951-1960DramaJohn SturgesUSAWestern

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    Last Train from Gun Hill is a 1959 Western by action director John Sturges. It stars Kirk Douglas, Anthony Quinn, Carolyn Jones and Earl Holliman. Douglas and Holliman had previously appeared together in Sturges’ Gunfight at the O.K. Corral, which used much of the same crew.

    The script is by James Poe, based on a story by Les Crutchfield. The film contains elements of High Noon, 3:10 to Yuma and Sturges’ own Bad Day at Black Rock.

    summary:
    The wife of marshal Matt Morgan is raped and murdered. The killers leave behind a distinctive saddle, that Morgan recognises as belonging to his old friend Craig Belden, now cattle baron in the town of Gun Hill. Belden is sympathetic, until it transpires that one of the murderers is his own son Rick, whom he refuses to hand over. Morgan is determined to capture Rick and take him away by the 9.00 train; but he is trapped in the town alone, with Belden and all his men now looking to kill him.Read More »

  • Rafael Baledón – El pantano de las ánimas aka Swamp of the Lost Souls (1957)

    1951-1960MexicoMysteryRafael BaledónWestern

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    A small Mexican village faces the disappearance of a corpse. The dead man’s brother goes out to find his detective friend, a cowboy. However, he is killed by a gang that seeks to get the insurance money from the policy put on the dead man by his aunt. Meanwhile, a strange fish-man monster is stalking our heroes with the intent to kill! Can the cowboy solve the mystery in time?
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  • William Berke – Deputy Marshal (1949)

    1941-1950USAWesternWilliam Berke

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    synopsis:
    A few minutes before he is killed by an unseen gunman using a split-butt rifle, in a saloon in Tumult, Wyoming, railway employee Harley Masters
    (Wheaton Chambers) gives a secret map to Deputy Marshal Ed Garry (Jon Hall.) Garry is questioned about the murder by Master’s niece Janet
    (Frances Langford); her cousin Bill Masters (Russell Hayden); the town big-shot, Joel Benton (Dick Foran) and Doc Vinson (Clem Bevans).
    Garry meets Claire Benton (Julie Bishop) when her brother and his henchman Eli Cressett (Joe Sawyer) question Garry about the map.
    Garry accuses Cressett of being one of the two wanted men he is seeking. Cressett, aided by Benton,mescapes from jail. Garry and Janet find
    a split-butt rifle near where one of her hands was killed in a rustling raid. They take it to town and Garry telegraphs the Winchester Arms Company
    and asks the name of the purchaser based on their serial number records. Cressett meets with Bill Masters, the real leader of the gang, and is
    offered more money if he will kill Benton. He agrees, but intends to double-cross Masters.Read More »

  • Clarence G. Badger – The Ropin’ Fool (1922)

    1921-1930Clarence G. BadgerSilentUSAWestern

    In Ropin’ Fool (1922) Rogers plays Ropes Reilly, a cowboy who ropes anything that moves until a lynch mob decides to use Reilly’s rope for a hanging party, with Reilly as the guest of honor. Motion Picture World wrote: “Plentiful use of slow motion photography shows how it is done and dispels any possible belief that the stunts are faked. No audience can help but marvel as Rogers throws a figure eight around a galloping horse, or lassoes a rat with a piece of string, or brings to term a cat melodiously inclined.” Later Rogers would wryly claim fame as America’s “Poet Lariat.”
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  • Budd Boetticher – Buchanan Rides Alone (1958)

    USA1951-1960Budd BoetticherWestern
    Buchanan Rides Alone (1958)

    Texan Tom Buchanan is heading back home with enough money to start his own ranch, but when he stops in the crooked town of Agry, he’s robbed and framed for murder.Read More »

  • Budd Boetticher – Seven Men from Now [+Extra] (1956)

    1951-1960Budd BoetticherUSAWestern

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    Seven Men from Now is a 1956 Western film directed by Budd Boetticher and starring Randolph Scott, Gail Russell, and Lee Marvin. The film was written by Burt Kennedy and produced by John Wayne’s Batjac Productions.

    Praised by the pioneering French critic Andre Bazin as “one of the most intelligent westerns I know but also the least intellectual,” this 1956 feature by the underrated Budd Boetticher stresses action over dialogue while constructing a subtle moral allegory. Randolph Scott plays an ex-sheriff trailing the seven men who murdered his wife in a robbery; along the way he picks up a bumbling couple en route to California and an outlaw (Lee Marvin, whose appealing swagger contrasts with Scott’s laconic certitude). Boetticher uses the landscape not as a metaphor for wildness but as a starkly neutral ground on which his characters play out their shifting positions, which suggests that each individual is responsible for his or her own choices. The taut opening is stunning: the protagonist strides into a tightly framed patch of ground from behind the camera, initiating his attempts to both traverse and dominate space, and the ensuing gunfire offscreen accompanies images of the horses he’ll take from the men he’s killing, a beautiful elision that emphasizes destiny over violence. This recently restored 35-millimeter print has mostly excellent color. 78 min. By Fred CamperRead More »

  • George Sherman – The Last of the Fast Guns (1958)

    1951-1960George ShermanUSAWestern

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    SYNOPSIS:
    A rich, dying Easterner hires gunfighterBrad Ellison to find his brother and heir in Mexico.
    En route, it becomes clear to Ellison that his is a dying profession. At a remote rancho, Ellison enlists ranch foreman Miles Lang to help him search the hills where the missing man is rumored to have lived. They find nothing …except that someone wants to kill them
    and Ellison becomes wrapped in a maze of double crosses.
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