War

In 1940, during World War II, an officer is sent to investigate rumours of German spies in a sleepy village where various people are the victims of war hysteria.Read More »

1941. A little town in the Jura is cut in half by a river that forms the border between Nazi-occupied France and the free zone.Read More »

Japan’s Last World War Propaganda Film
The last film produced under the national film policy before Japan’s capitulation in August 1945. “Kita no san-nin” stars an impressive cast of Japanese stars such as Setsuko Hara, Hideko Takamine, Susumu Fujita and Takashi Shimura in a last attempt to boost the public’s support for the war. The film is set at a little airport in the North of the country, where three young women are part of the military radiocommunication unit, supporting the local pilots and airport staff. Their joined effort and their private hardships bring these women together, such as the death of Yoshie’s brother who also used to be Sumiko’s fiancé. By showing the young woman’s efforts as pure and good, the film delivers its propaganda message: endure your hardships for the greater cause.
The film was only screened once after it’s relase in August 1945 and then – not very suprisingly – locked away by the American occupation forces. The top cast, the melodramatic take on propaganda and some decent action scenes however render it an interesting part of Japanese film history.

683MB | 1h 09m | 658×462 | avi

https://nitro.download/view/88A73DF36D7F49B/Kiyoshi_Saeki_-_Kita_no_san-nin_(1945).mkv
https://nitro.download/view/159C8AE5A9A3752/Kiyoshi_Saeki_-_Kita_no_san-nin_(1945).srt

Language:Japanese
Subtitles:English

During the winter of 1944, Kitani, a soldier, returns to his unit in Osaka after a two year absence. None of the men inducted with him are left, and his new comrades greet his sulky attitude with suspicion and resentment. The men have been told that Kitani was in hospital during his absence, whereas he was actually in prison: caught between two officers competing for a lucrative position, Kitani had been accused of stealing a wallet belonging to Hayashi, a First Lieutenant. The resulting inquiry had extended into Kitani’s personal life, with letters written to his lover construed as expressing anti-military sentiments.Read More »

Quote:
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Summary from the Film Society of Lincoln Center website:
Shooting on location in China, Tomotaka Tasaka presents a low-key but stirring account of the day-to-day travails and camaraderie of Japanese soldiers, swapping individual heroics for devotion to the group spirit. Tasaka’s typically clear-eyed treatment, which includes an extraordinary battle scene and an assault on a farmhouse, was so documentary-like in its feel for detail that when Americans later captured a print of the film, it was edited into a training reel for U.S. troops.Read More »

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As you watch hundreds of adolescent boys being hyped with a messianic blend of heroic German mythology and Nazi ideology and participating in torch-lit rituals and athletic contests, you sense of the thrill of being a boy swept up in the demented pageantry and passion of the Nazi cause.Read More »