Various

Lust: 12 sexy short brings to light a wide range of cutting-edge films from 8 different countries that takes a humoristic look at the search for pleasure. It’s a discovery of a wide range of low-budget film-making styles that strolls us through a frenetic world that begins with sex for some and ends in separations for others. These films portray experiences that dissolve into a blurry vision of love. Lust is an incomplete inventory – who could pretend otherwise !! – of the different strategies of attack and defense within the permanent struggle against loneliness. Lust shows us a world where although the rules are simple, the winner never adheres to them. (-Lowave)Read More »

LINK

Directed by

• Tora Mårtens
• Elin Magnusson
• Sara Kaaman
• Ester Martin Bergsmark
• Nelli, Andreas
• Åsa Sandzén
• Malin Erkkonen
• Pella Kågerman
• Wolfe Madam
• Ingrid Ryberg
• Universal Pussy
• Joanna Rytel
• Marit Östberg
• Jennifer Rainsford

Internet wrote:

There’s to much to say about each individual movie, but the level of quality is high and most of them has very strong concepts. My favorite is also the first one, “Skin”, directed by Elin Magnusson. It’s a beautifully shot sex scene between a man and a woman all dressed in a skin-colored body stocking. Slowly they cut parts of their body skin open, and in the end there’s nothing left of this shell. Only humans. It’s sexy, erotic is probably the best in this collection of high quality shorts. “Body Contact” was almost scary to see, because it seems so real at first. It’s about a girl who want’s to make a porn movie and films the whole experience together with her friend. They find a man from the southern parts of Sweden and manipulates him to be in the movie. It’s both funny, and even a bit unpleasent. “On Your Back Woman” is a cute wrestling-themed short with three lesbian couple. I think cute is a good word (maybe the director will disapprove there?), but it’s also strong movie with strong love.
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This edition explores the establishment of cinematic genres in the first years of the 20th Century, offering rare glimpses of the innovative visual comedy of Max Linder, the pioneering Italian epic NERO – or THE BURNING OF ROME, the phenomenal animation of Windsor McCoy, the social realism of Alice Guy Blaché’s MAKING OF AN AMERICAN CITIZEN, D. W. Griffith’s early melodrama A GIRL AND HER TRUST, and more!Read More »

EXPERIMENTATION AND DISCOVERY (vol. 3 of THE MOVIES BEGIN) Dir. (various). U.S. and Europe. 1898-1910. Color-tinted, B&W. Frequently comical, often risque, and sometimes just plain baffling, the twenty films of this anthology challenged the precepts of the visual representation of narrative, thereby inventing the photographic and editing techniques that would quickly become accepted as cinematic syntax. Includes Peeping Tom (1901), History of a Crime (1901), How It Feels to be Run Over (1900), and The Dream of a Rarebit Fiend (1906).Read More »

The European Pioneers
Director: (various)
Country: (various)
Year: 1895-1906
From the archives of the British Film Institute, this collection features forty distinctive works from cinema’s infancy, produced by such Euro pioneers as R.W. Paul, George Edward Smith, Fran Mottershaw, Walter Haggar & Sons, and James Bamforth, as well as by acknowledged innovators like the Lumière brothers and Méliès. Includes Demolition of a Wall (1896), Exiting the Factory (1895), and Arrival of a Train at La Ciotat (circa 1895).Read More »

The Movies Begin

The Great Train Robbery & Other Primary Works
Directors: Edweard Muybridge, Edwin S. Porter, Thomas Edison
Country: (various)
Year: 1893-1907
This survey of the cinema’s earliest landmarks and rarities features the 1877 motion studies of Edward Muybridge, the early productions of Thomas Edison’s Black Maria, the actualites of Louis Lumiére, George Méliès’s A Trip to the Moon (1902), and climaxes with the premiere of a mint-condition print of Edwin S. Porter’s The Great Train Robbery, complete with the authentic hand-tinting witnessed by audiences of 1903.
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Description: This consists of four short films by different directors. Rosselini’s ‘Chastity’ (‘Illibatezza’) deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard’s ‘New World’ (‘Il Nuovo Mondo’) illustrates a post-apocalypse world the same as the pre-apocalyptic one but for an enigmatic change in attitude in most people, including the central character’s girlfriend. In Pasolini’s ‘Curd Cheese’ (‘La Ricotta’), a lavish film about the life of Jesus Christ is being made in a poor area. The impoverished people subject themselves to various indignities in the name of moviemaking in order to win a little food. Finally comes Gregoretti’s ‘Free Range Chicken’ (‘Il Pollo Ruspante’) in which a family of the materialist culture inadvertantly illustrate the cynical, metallic voiced doctrine of a top sales theorist.Read More »