In a small coastal town,in the middle of the summer,the beaches are overcrowded,every piece of land occupied by tents and the cars of the tourists.A small group of filmmakers decide to shoot here a “masterpiece” by putting on a fake bank a ship.Suddenly,the crowd spreads the rumor that a comet will fall to the Earth very soon.At the last moment the most savvy vacationers decide to save themselves from a certain death by making some last minute unexpected changes in the script…Read More »
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Screen version of the play «Jackals» by A. Jackobson about an American scientist-inventor of a mighty weapon of mass destruction.Read More »
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The son of a kulak has an affair with a poor girl and an eye within the village council so that his father’s interest could be preserved. But a man reveals how the kulak intend to impoverish more the peasants and workers and get freed from taxes.Read More »
In his dreams little Tomas escapes from his every day live to experience a lot of thrilling and exciting adventures.Read More »
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A lawyer is preparing to defend a rich, respected man’s wife, who killed a friend of the family who was attempting to sexually assault her. The scenario changes abruptly for all involved when the lawyer discovers a love letter from the woman to the murdered man.Read More »
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This is a life story of three girlfriends from youth to autumn ages. Their dreams and wishes, love, disillusions. Different careers. And big late love.Read More »
Yulian Kalisher ( 1935-2007) was a relative late-bloomer in the field of puppet animation. Coming from the field of puppet theatre, where he had worked in Tasjkent, Uzbekistan and in Moscow. He was hired by the Soviet TV organisation Ecran to direct puppet-plays for TV in 1971. In 1974 he was teamed up with Youri Trofimov and co-directed 3 episodes of The Wizard of Emerald City ( see DVD 17) In 1977 he realized his first solo-direction: a feature film puppet animation after a puppet play. From then on his work always stood out for its originality and inventiveness. “A New Year’s Adventure” on DVD 20 is a good example of his work between 1977 and 1982.
Russian animation uses the words Puppets and flat Puppets (in English called Cut-out) for stop-motion techniques, and cell animation for drawn animation. Read More »
Presented as a tableaux of seven sections in black and white, with a final montage of Rublev’s painted icons in color, the film takes an unflinching gaze at medieval Russia during the first quarter of the 15th century, a period of Mongol-Tartar invasion and growing Christian influence.
Commissioned to paint the interior of the Vladimir cathedral, Andrei Rublev (Anatoli Solonitsyn) leaves the Andronnikov monastery with an entourage of monks and assistants, witnessing in his travels the degradations befalling his fellow Russians, including pillage, oppression from tyrants and Mongols, torture, rape, and plague. Faced with the brutalities of the world outside the religious enclave, Rublev’s faith is shaken, prompting him to question the uses or even possibility of art in a degraded world. After Mongols sack the city of Vladimir, burning the very cathedral that he has been commissioned to paint, Rublev takes a vow of silence and withdraws completely, removing himself to the hermetic confines of the monastery.Read More »
Leonid Gaidai’s irreverent comedy updates a Leo Tolstoy story for modern Soviet times, in the Caucasus region. Shurik, a naive Russian student mired in his own clumsy Soviet culture, sets off to the Caucasus to write down the folk culture of this region: its traditions, legends, sayings, and toasts.Read More »