USA

Plot:
Middle aged George F. Babbitt is a leading citizen in the town of Zenith, the fastest growing community in America according to its town sign. George is a large part of that growth as a property developer and realtor. He is lovingly married to his wife Myra, the two who have two children, Ted and Verona who are approaching adulthood. George has always had a fearless attitude, much like that of a naive child, which has led to his business success. He encounters some personal stresses when he faces what he believes is a potential home-wrecking issue, and when his oldest friend Paul and his wife Zilla deal with domestic problems. These stresses make George want to provide even more to his own family, leading to George agreeing to participate in a less than scrupulous but lucrative business dealing. George’s bravura gets him into a potential scandal. This situation makes him question his general behavior, especially toward his family.Read More »

IMDB Review.
Ellery Queen is about to leave for San Francisco, where his new book will be set, when he is visited by a woman who asks him to find out if her husband is alive or dead; supposedly he drowned in a boat accident a few years ago, but someone who looks a lot like him was recently seen in SF. Ellery takes Nikki Porter with him and has her impersonating the missing man’s wife, to bring him out into the open. The plan works, but a case of embezzlement and a murder bring Inspector Queen to SF as well, and guess who the chief suspect for both crimes is: the man Ellery was looking for! “A Desperate Chance For Ellery Queen” had the potential to be one of the best entries in the series, but it’s a little too messily put together to achieve that. Kudos, however, to Lilian Bond for her sexy femme fatale. I think it’s the first time in the series where another woman steals the show from Margaret Lindsay.Read More »

Quote:
Telly Savalas wrote, directed, and starred in this obscure late 70’s thriller.

Savalas stars as Dr. Nicholas Mati, a disturbed psychologist tormented by the memory of a patient that committed suicide. Dr. Mati feels that he was responsible in some sort of way and that he could saved his life. Through flashbacks, we as the audience can get an opinion. I think that the patience was a really tormented soul that wanted suicide; Dr. Mati didn’t have a chance to save him.Read More »

An amazon reviewer writes:

Stranger Than Paradise not only announced the arrival of an original filmmaker with Jim Jarmusch, but also signaled the arrival of a new wave of American independent cinema along with the Coen brothers’ Blood Simple and Spike Lee’s She’s Gotta Have It. Jarmusch’s film came as a response to the impersonal commercial filmmaking of the Hollywood studios. His film was originally nothing more than a 30-minute short film shot from 40 minutes of extraneous film stock donated by German filmmaker Wim Wenders. Eventually, Jarmusch came into a small sum of money — $120,000 worth — and was able to complete the film.Read More »

Plot: The story of the famous battle between the Scots clans of Macdonald and Campbell, and the young woman who comes between them, Annie Laurie.Read More »

Plot Synopsis by Hal Erickson
A young woman (Jean Simmons) manages a remote California sheep ranch with her father (Brian Aherne). A plane carrying a sheriff (Stephen McNally) and a convicted murderer (Rory Calhoun) crashes nearby. Both men are cared for by the girl, who doesn’t know at first which is the cop and which is the criminal. She falls in love with the convicted man and believes protestations of innocence, but the vindictive sheriff tries to dissuade her of these feelings. Given several chances to finish each other off, both sheriff and convict relent. Under the influence of the girl, they agree to return to Utah together, where (it is implied) the criminal will be given a bias-free trial.Read More »

Plot
John Ford’s final film is set in China in 1935, where a group of American women, led by Agatha Andrews (Margaret Leighton), work as missionaries. One of the women, Florrie (Betty Field), is pregnant and accompanied by her husband, Charles (Eddie Albert), while the others are single and on their own. The mission has become crowded after a cholera epidemic forced several outsiders to flee a nearby British mission and seek shelter with the American group, while a Mongol warrior, Tunga Khan (Mike Mazurki), has assembled troops who are sacking the area. When a female doctor, Dr. D.L. Cartwright (Anne Bancroft), enters the picture, she attempts to bring humor and civility to the group, but her tough yet compassionate nature clashes with Agatha’s by-the-book approach, and when Cartwright is willing to put her own safety at risk to gain the attentions of Tunga Khan and slow his onslaught, the group is strongly divided — most of the women admire the doctor’s bravery, but Agatha (who seems to have a non-professional interest in Cartwright herself) considers her foolish and reckless. Seven Women was originally planned to star Patricia Neal as Dr. Cartwright, but when she suffered a stroke during filming that put her acting career on hold for several years, Anne Bancroft was recast in the role. ~ Mark Deming, All Movie GuideRead More »

PLOT SUMMARY and OTHER INFORMATION
from Waldo’s announce

Reels one, two and five — all that survives, unfortunately, of this late silent film by John Ford, though it’s enough to suggest that it might have been a major work. The story, supposedly based on the sentimental Irish ballad, is a blend of “Sylvia Scarlet” and “Stella Dallas,” about a single mother who joins a traveling circus (lead by Victor McLaglen) to support her child, only to eventually lose him to a rich couple. She meets her son (Neil Hamilton) years later when she’s employed as a domestic, and now he’s a swaggering young society man. Does she reveal her identity to him? We’ll never know, since the end of the film is missing. What you do get is one heck of a storm sequence in the first reel, filmed by Ford in the high expressionist style he was then absorbing from FW Murnau.Read More »

IMDB:
The plot of this near-noir is very convoluted, but the director keeps a steady pace and there is enough incidental interest to avoid confusion or boredom. When a Hollywood secretary is found murdered, Tom Alder (Janssen), a “finder of missing persons”, is hired to investigate the murder, but quickly sees a link between the secretary and a the long-missing daughter of a wealthy family. Complications involve some colorful characters: Leroy Dane (Brad Dexter), a big movie star, Mrs Delaney (Agnes Moorehead) the missing girl’s mother, Jacques Pleschette (Jacques Aubuchon) a shady figure who tries to hire Tom to find his missing brother. All these actors give top drawer performances, with Moorehead a standout for the way she takes complete control of her single scene with Janssen. Excellent too is Dina Merrill as Nikki (her Tokyo-set flashback with Janssen is quite impressive). Also fine in the cast are Jeanne Crain, Robert Strauss, and William Demarest, doing a convincing turn as a down-and-out drunken newspaper man.Read More »