USA

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Archer fans rejoice as H. Jon Benjamin stars in this hysterically lewd tale of a middle-aged man who passes away only to discover an afterlife filled with every hedonistic desire.Read More »

Five Corners is a powerful, moody ensemble piece with an impressively heavyweight cast. Although the basic story of the film causes it to veer off from serious drama into melodrama, it manages to pack quite a punch, thanks to some tautly-written individual sequences, acutely observed characters and deft direction. John Patrick Shanley’s screenplay is not always successful at mixing the quirkily amusing segments with those of a more disturbing or frightening bent, but the individual moments work so well that the viewer tends to overlook the lapses. Working from the script’s strengths, Tony Bill’s direction finds abundant humor as well as almost unbearable tension.Read More »

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A rough criminal gets into an argument over a girl in a dance hall. The argument turns into a fight…Read More »

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It is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Charlie turns to the other’s wife.Read More »

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The Little Fellow finds the girl of his dreams and works on a family farm.Read More »

Academy Award-winning filmmaker Chuck Workman’s documentary What Is Cinema? tackles the question of its title through over 100 clips and new interviews with Mike Leigh, Jonas Mekas, Yvonne Rainer, David Lynch, video artist Bill Viola, Robert Altman, Kelly Reichardt, Costa-Gavras, Ken Jacobs, Michael Moore, critic J. Hoberman, and others, and with archival interviews from Robert Bresson, Alfred Hitchcock, Chantal Akerman, Akira Kurosawa, Abbas Kiarostami, and more. The film also includes commissioned sequences from experimental artists Lewis Klahr and Phil Solomon. What Is Cinema? not only asks a poignant question, but chronicles the best of filmmaking today and proposes where cinema will go, and should go, in the future.Read More »

Jaded by the “incestuous, New York, socialite sh_t” that sells at prominent art galleries, Nate embarks on a quest for a more authentic brand of contemporary art. When a coked-up YouTube search leads to a music video from Delawarean Goth rappers Young Torture Killers, an Insane Clown Posse knock-off, Nate knows he’s found his subjects. He soon drags his friend-with-benefits Bernadette to rural Delaware to shoot the group playing in their parents’ basement. To “immerse himself” in the group’s culture and add an extra layer of realism to his work, Nate befriends the rappers and makes return trips to get to know them. But as his relationship with group develops, he becomes increasingly aware that, while you can take the boy out of the art world, you can’t take the art world out of the boy.Read More »

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One of the most oft-revived of the pre-Technicolor Nicholas Ray efforts, Born to Be Bad offers us the spectacle of Joan Fontaine portraying a character described as “a cross between Lucrezia Borgia and Peg O’ My Heart”. For the benefit of her wealthy husband Zachary Scott and his family, Fontaine adopts a facade of wide-eyed sweetness. Bored with her hubby, she inaugurates a romance with novelist Robert Ryan. All her carefully crafted calculations come acropper when both men discover that she’s a bitch among bitches. She might have gotten away with all her machinations, but the censors said uh-uh. Originally slated for filming in 1946, with Henry Fonda scheduled to play the Robert Ryan part, Born to Bad was cancelled, then resurfaced as Bed as Roses in 1948, this time with Barbara Bel Geddes in the Fontaine role. RKO head Howard Hughes’ decision to replace Bel Geddes with the more bankable Fontaine was one of the reasons that producer Dore Schary left RKO in favor of MGM. Based on Anne Parrish’s novel All Kneeling, Born to be Bad is so overheated at times that it threatens to lapse into self-parody; though this never happens, the film was the basis for one of TV star Carol Burnett’s funniest and most devastating movie takeoffs, Raised to be RottenRead More »

“The Barstow family films a memorable home movie of their trip to Disneyland. Robbins and Meg Barstow, along with their children Mary, David and Daniel were among 25 families who won a free trip to the newly opened Disneyland in Anaheim, Calif., as part of a ‘Scotch Brand Cellophane Tape’ contest sponsored by 3M. Through vivid color and droll narration , we see a fantastic historical snapshot of Hollywood, Beverly Hills, Catalina Island, Knott’s Berry Farm, Universal Studios and Disneyland in mid-1956. The movie was shot with a 16 mm handheld camera.

Robbins Barstow was a pioneering maker of home movies. Disneyland Dream is one of literally hundreds of films he completed from 1929 (when he first received a camera) until his death in 2010, many of which star his immediate family.Read More »