USA

Quote:
A young girl witnesses her brother murder a man through a reflection in a mirror. Twenty years later the mirror is shattered, freeing his evil spirit, which seeks revenge for his death.Read More »

Synopsis
Leon Prochnik adapted the evocative Robert Moresco play Child’s Play for the screen, with Sidney Lumet assuming directorial duties. Beau Bridges stars as a young teacher at an exclusive Catholic boy’s boarding school named Paul Reis. An outbreak of violence and brutality among the students has Reis perplexed. He suspects that one of the older professors is responsible for inciting the mayhem. The two most likely suspects, played by James Mason and Robert Preston, are long-standing rivals who blame each other for the student turmoil. One of the old enemies goes so far as to discredit the other — but his motives are at great odds with the religious doctrine taught within the school’s walls.Read More »

Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a mono-plane. The priestly pilot is seen dashing from one province to the next at the helm of his trusty Piper Club administering guidance (his plane, the Flying Padre) to unruly children, sermonizing at funerals and flying a sickly child and its mother to a hospital.Read More »

Quote:
Altman shot “Images” (1972) in Ireland during the wet autumn months of 1971, and premiered it the following May at Cannes. It won Susannah York the award for best actress (it’s the role she’s most proud of), but left its Cannes audiences mostly confused. It isn’t the sort of film you feel affectionate about. It’s complex and cold, although not nearly as hard to understand as some of the first reviews suggested.

Columbia picked up the distribution rights (Altman was a hot property in 1971) and entered “Images” in the New York Film Festival. Inexplicably, neither of the two principal film critics for the New York Times (Vincent Canby and Roger Greenspan) chose to review it, and it was dismissed in a blistering and largely unperceptive review by Howard Thompson (“a mishmash”). And that was that. The film never achieved a normal commercial release in America. It had its Chicago-area premiere last February at Northwestern University and its first theatrical 35mm showing last weekend at the Biograph. It undoubtedly will return in one or another repertory series.Read More »

Bring Me the Head of Alfredo Garcia (Spanish: Tráiganme la cabeza de Alfredo García) is a 1974 American cult action film directed by Sam Peckinpah and featuring Warren Oates.

Made in Mexico on a low budget after the commercial failure of Pat Garrett and Billy the Kid (1973), Peckinpah claimed that, of all his films, Alfredo García was the only one released as he had intended. The film was a box-office and critical failure at the time, but has gained a new following and stature in the decades since.

There are two audio commentaries with this posting:
1) with Writer-Producer Gordon Dawson and Film Historian Nick Redman
2) with Film Historians Paul Seydor, Garner Simmons, David Weddle, and Nick Redman

SYNOPSIS:
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.Read More »

The Louise Brooks Society: wrote:
Beggars of Life is a terse drama about a girl (Louise Brooks) dressed as a boy who flees the law after killing her abusive stepfather. With the help of a young hobo, she rides the rails through a male dominated underworld in which danger is close at hand.

Kevin Brownlow wrote:
Beggars of Life, with Louise Brooks and Richard Arlen, is a story of tramps, by the hobo writer Jim Tully. The customary freshness and unstudied casualness of most American silent films is replaced here by a dignified, carefully studied style, suggestive of the European cinema, and indicating a conscious striving toward artistry.Read More »

Quote:
Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, Night of the Living Dead is back.

Night of the Living Dead was restored by the Museum of Modern Art and The Film Foundation. Funding provided by the George Lucas Family Foundation and the Celeste Bartos Fund for Film Preservation.Read More »

A 1981 American animated musical drama film starring Ron Thompson and produced and directed by Ralph Bakshi. The film tells the story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music.
The majority of the film’s animation was completed through rotoscoping, a process in which live actors are filmed and the subsequent footage is used for animators to draw over. However, the film also uses a variety of other mixed media including water colors, computer graphics, live-action shots, and archival footage.
– WIKIPEDIARead More »

Quote:
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.Read More »