USA

Funny, Entertaining. Charley Chase is great!, 4 April 2005
Author: chris-glo from So.CA
I happened to catch this on TCM one day – what a scream! A very entertaining short. Charley Chase was very talented! My husband and I try to watch the “silents” whenever we can but have mostly watched dramas with the bigger stars such as Valentino, Garbo, Chaney, etc. It is really a shame that the younger people today do not take the time to watch and appreciate the ones really responsible for the success of the movie industry. Back then, without sound to convey feelings with the spoken word, it took, I think, a great more amount of talent as an actor or actress to get the point across in mime. Facial expression and body movements were the only way this could be achieved. Just for fun, watch a new movie with the sound off. I think you would be surprised to find that you cannot follow it very well. Anyway, if you get the chance, check out silent movies. They are better than you think. And Charley Chase? I will be looking for more of his movies.Read More »

With a sense of place and historical research, Kevin Jerome Everson films combine scripted and documentary moments with rich elements of formalism. The subject matter is the gestures or tasks caused by certain conditions in the lives of working class African Americans and other people of African descent. The conditions are usually physical, social-economic circumstances or weather. Instead of standard realism he favors a strategy that abstracts everyday actions and statements into theatrical gestures, in which archival footage is re-edited or re-staged, real people perform fictional scenarios based on their own lives and historical observations intermesh with contemporary narratives. The films suggest the relentlessness of everyday life—along with its beauty—but also present oblique metaphors for art-making.Read More »

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“The transgression and confrontation is re-enacted in this brilliant fuguelike film by Dana Plays constructed of found footage, and concerning both American involvement in oversees conflict and the resultant unseen plight of the child refugee. Subverting state-sponsored informational films on such issues as war bonds and highway safety, Plays transforms these agit-prop rhetorics into a celluloid mirror of transgression as a larger cultural pathology. In Zero Hour, the results – the products of war return to the initial cite of production: an assumed audience of Americans, middle–class citizens of an ideal suburban dream who have somehow foregone the immediate experiences and repercussion of mass destruction and displacement. The gaze rests on us. We are the sugar-stated, hyper and unaware violator, an audience whose relationship to world events is nowhere more homogenous than in or communal incubation and guilt.” – William Tester
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Plot: A quiet young fellow becomes a reluctant, but effective hit man in this comedy. Cosmo, a robot-like bookie, is promoted to hit man by his crime boss, Gordon. Cosmo’s teacher is to be the philosophical and chatty Steve, a real pro. Cosmo is an excellent shot and quickly learns. His problem is that he likes to get to know his clients and empathize with them before he kills them. In time Cosmo feels conflict after he begins to fall in love with Jasmine, his yoga-instructor. He wants out of the profession. ~ Sandra Brennan, All Movie GuideRead More »

Like constellations wheeling round, a double chain of four image segments and four sound segments wheel past each other in sixteen combinations (a family of Gibbon apes, a landscape measured, a shadowed diagram after Paul Cézanne, a wintry urban scene, a text by William Wordsworth, a climactic scene from Claude Debussy’s opera “Pelleas et Melisande”). The stately ceremony can generate rich sensuous cinematic pleasure as well as a free-flowing stream of associations. Containment and flowing free, these are some of the issues. The third film in the Elective Affinities cycle.Read More »

Plot
Though her acting range was limited, Wanda Hendrix was cute as all get out, and this cuteness is pretty much all that’s required from her in Song of Surrender. The film is set in a small town of the early 1900s. Hendrix is cast as Abigail Hunt, the young bride of fiftyish museum curator Elisha Hunt (Claude Rains). Their connubial bliss is threatened when attorney Bruce Eldridge (Macdonald Carey) falls in love with Abigail, and she with him. When her neighbors discover her indiscretions, Abigail is driven from town. It is only during a near-tragedy that Abigail realizes that her true place is with her aging husband. Still, the script manages to wangle a happy ending for everyone concerned. Of interest in Song of Surrender is the utilization within the plotline of several vintage Enrico Caruso recordings.Read More »

In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.Read More »

In the early nineties, theater director André Gregory mounted a series of spare, private performances of Anton Chekhov’s Uncle Vanya in a crumbling Manhattan playhouse. This experiment in pure theater—featuring a remarkable cast of actors, including Wallace Shawn, Julianne Moore, Brooke Smith, and George Gaynes—would have been lost to time had it not been captured on film, with subtle cinematic brilliance, by Louis Malle. Vanya on 42nd Street is as memorable and emotional a screen version of Chekhov’s masterpiece as one could ever hope to see. This film, which turned out to be Malle’s last, is a tribute to the playwright’s devastating work as well as to the creative process itself.Read More »

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In Center City, a housewife is murdered in a night-club by a gang of thieves. When a security guard of a bank is killed by the same gun during a heist, the crime becomes a federal offense under FBI jurisdiction. When the prime suspect is released and executed in the same night, FBI Inspector George Briggs recruits the rookie agent Gene Cordell to follow the last paths of the victim undercover in the identity of George Manly. Gene meets the powerful gangster Alec Stiles in a gymnasium, and later he is invited to join his gang. Working with his also undercover liaison Cy Gordon, Gene finds evidences to incriminate Stiles. However, he discovers also that somebody from the precinct is feeding Stiles with classified information.Read More »