A family living in Marfa, Texas attempts to pull themselves back together after a horrific tragedy. The provocative sequel to Larry Clark’s film Marfa Girl shows us a group of people ready to escape their current realities – no matter the cost. Gritty, unrelenting, and powerful, auteur Clark once again delivers a bleak landscape of sex, drugs, and boredom amongst the residents of a dead-end Texas border town.Read More »
Synopsis:
Having just reached adulthood, Clyde Griffiths has always lamented his lot in life, he the only son of poor missionaries. He has gotten a peripheral view of society life, to which he aspires, in his work as a bellhop at an upscale hotel. If being truthful to himself, he would admit that he lacks moral strength, he often taking the easiest but perhaps not the most ethical path to protect himself. Forced to move from place to place out of circumstance, he ends up in Lycurgus, New York working at the Samuel Griffiths Collar and Shirt factory, Samuel Griffiths his paternal uncle. Not knowing his uncle or his family, Clyde only wants a chance to get ahead, not expecting anything else from his wealthy relations. After an apprenticeship, Clyde ends up as the foreman in the stamping department. Read More »
Letterboxd wrote:
Brakhage’s hand carvings directly into the film emulsions are illuminated and textured by Solomon’s lighting and optical printing.Read More »
Documentary about Toru Takemitsu, composer of the extraordinary scores for such films as Kwaidan, Woman In the Dunes, Ran, and many others. Illustrated with scenes from these films and others, and with interviews with Takemitsu and various directors. Includes studio recording sessions. In English and Japanese, with burnt in English subtitles.Read More »
Quote:
In early spring of 1966, in anticipation of his eventual departure from the Greenwich Village apartment in which he had been living for a number of years, [Markopoulos] filmed the revelatory seven-minute interior portrait Ming Green , titled for the deep spruce color of the apartment’s walls. Ming Green was edited entirely in-camera, and its precise rhythmic blossoming is based on overlapping dissolves and longer flashes, rather than single-frame clusters. The film’s complex harmonic structure, however — as well as its incorporation of often static, “single” images that may be comprised of more than one frame — echoes the montage techniques developed in Twice a Man (1963). Interweaving mementos with foliage, color, and light, Ming Green suggests the inextricability of past and present: despite its exquisite lightness, it could represent the passage of hours and days rather than minutes. -Kristin Jones, Millennium Film Journal, 1998Read More »
Quote:
Marty is a caustic, small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper. Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class.Read More »
IMDB:
Examines the public scandal and private tragedy which led to legendary filmmaker Roman Polanski’s sudden flight from the United States.Read More »
Plot: A movie musical about…wrestling? Turns out the public grew weary of musicals while Sit Tight was made, so most of the tunes were jettisoned prior to release. What remains is a wrestling comedy filled with plenty of pre-Code friskiness. Athletic funnyman Joe E. Brown plays Jojo Mullins, who has an eye for the ladies although his heart belongs to the manager (Winnie Lightner) of the health club where he works. Eager to show the ring prowess he learned by correspondence, Jojo gets his chance in a big-time match. Paul Gregory and Claudia Dell (rumored to be the model for Columbia Pictures logo) play the subplot’s young lovebirds in this energetic comedy that’s one of nearly 50 films directed by Lloyd Bacon in the 1930s. From Warner Brothers Studio!Read More »
Quote:
Charlie and a rival vie for the favors of their landlady. In the park they each fall for different girls, though Charlie’s has a male friend already. Charlie considers suicide, is talked out of it by a policeman, and later throws his girl’s friend into the lake. Frightened, the girls go off to a movie. Charlie shows up there and flirts with them. Later both rivals substitute themselves for the girls and attack the unwitting Charlie. In an audience-wide fight, Charlie is tossed from the screen.Read More »