USA

Plot:
In this crime drama, mobsters swear to get revenge upon a zealous public prosecutor as he tries to get them put into prison. The desperate mobsters try to stop him by using his innocent daughter in a blackmail scheme.Read More »

Quote:
Of the three films, Pola’s is the best. – Jonas Mekas

Quote:
Knowing Pola Chapelle as a singer, she could not make anything that is not beautiful. – Anais NinRead More »

Quote:
In a murder trial, the defendant says he suffered temporary insanity after the victim raped his wife. What is the truth, and will he win his case?Read More »

Quote:
Like fellow Dutchmen Paul Verhoeven and Jan De Bont, Rene Daalder was drafted by Hollywood to make genre films, though his inclinations ran a little artier. Daalder achieved some cult success with the 1976 drive-in classic Massacre At Central High; then Russ Meyer asked him to work on the star-crossed Sex Pistols movie Who Killed Bambi? Newly infatuated with punk rock, Daalder struck up a friendship with Tomata Du Plenty, leader of the theatrical L.A. synth-punk act The Screamers. Throughout the first half of the ’80s, Daalder and Du Plenty tried and failed to get multiple music-video projects off the ground, until in 1986, they finally released Population: 1, a quasi-science-fiction art-punk musical cobbled together from pieces of footage Daalder shot with Du Plenty over the years, cleverly layered with the help of state-of-the-art image-manipulation effects.Read More »

“Vulgar, excessive, melodramatic and self-indulgent: Tchaikovsky’s music is indeed all of these things, yet gloriously so, and the same goes for Ken Russell at his freewheeling best. The director’s first composer biopic for the cinema approaches Tchaikovsky’s scores as the expression of extreme emotional turmoil.”

The Music Lovers is about Pyotr Ilyich Tchaikovsky, feverishly wrapping his music around his childhood, his career, his sexuality, and his marriage into a tangle.Read More »

Quote:
Given Robert Altman’s fondness for working with ensemble casts, it comes as no surprise that his films often provide a shambolic cross-section of a particular institution or locale, whether the titular mobile army hospital of M*A*S*H, the indigenous country music scene in the great network narrative Nashville, or the intersecting lives of 20-odd Angelenos in 1993’s Short Cuts. For Short Cuts, Altman and co-screenwriter Frank Barhydt mashed together nine stories and a poem from “dirty realist” writer Raymond Carver, shifting their setting from Carver’s beloved Pacific Northwest to suburban Los Angeles—a place Altman clearly feels much more ambivalent about.Read More »

A fictionalized account in four chapters of the life of celebrated Japanese author Yukio Mishima. Three of the segments parallel events in Mishima’s life with his novels while the fourth depicts the actual events of the 25th Nov. 1970.Read More »

IMDB:
A documentary exploring the importance of revival cinema and 35mm exhibition – seen through the lens of the patrons of the New Beverly Cinema – a unique and independent revival cinema in Los Angeles.Read More »

Walter Francis (Bill Morrison) and Jerry Peoples (Ralph Tyler), two characters from Mutual Appreciation, share a visit at the Peoples’ home in the countryside.Read More »