Synopsis: An experimental documentary about the street drag racing scene on Chicago’s near West Side.
This is a rambling, textured film about obsession. It is about the mythos of speed for its own sake, and it is about waiting. While waiting, The BLVD exposes community, inner-city landscapes and nomadic experiences of place. The film treats storytelling as a living medium for determining history. And it commands respect for those who transform cars, or anything else, through passion.Read More »
A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.Read More »
Brief Synopsis:
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat discover, misfortune can often lead to truth.Read More »
Shot with 16mm film stock that expired in 2002—the same year as the state-sponsored anti-Muslim genocide in Gujarat—and filmed amid the anti-CAA protests in Delhi, the filmmaker traces lines and lineages of ancestral memory, poetry, history, songs, and ruins from his birth in 1989.Read More »
Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.Read More »
During a stakeout, an L.A. cop kills a doctor who presumably pulled a gun but the coroner’s inquest finds no gun, forcing the cop to look for it to clear his name.Read More »
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Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film.
The brothers John & James Whitney created their remarkable series of Film Exercises between 1943 and 1944. These films are visually based on modernist composition theory, the carefully varied permutations of form are manipulated with cut-out masks so that the image photographed is pure direct light shaped, rather than the light reflected from drawings as in traditional animation. Read More »
Exerpts from the NY Times review December 11, 1981
To get quickly to the point, Four Friends is the best film yet made about the sixties, that harrowed time of war, prosperity, and broken promises, of turning on and dropping out to colors described as psychedelic, when establishment came to be written with a capital “E.”
Four Friends, directed by Arthur Penn and written by Steven Tesich, initially suggests a sort of big-budget The Return of the Secaucus Seven. It’s a film that embraces the looks, sounds, speech, and public events of the sixties, but not in the way of a documentary. It has the quality of legend, a fable remembered. Because Mr. Penn and Mr. Tesich see everything in terms of legend, even a tumultuously funny barroom brawl near the film’s end becomes not only a brawl but also a revivifying re-creation of all barroom brawls in all of the Western films the four friends grew up with.Read More »
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Underground is a 1976 documentary film about the Weathermen, the militant faction of the Students for a Democratic Society (SDS) who fought to overthrow the U.S. government during the 1960’s and 1970’s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests during this time period. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, who were subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen.Read More »