USA

Filmed on November 21 and 22, 2018 in Valencia, California. A gibbous and full moon rising.Read More »

A survey of the physical qualities and metaphysical quandaries of the United States-Mexico border. Follows the boundary and its immediate surrounding topography incrementally from the Gulf of Mexico to the Pacific Ocean.Read More »

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Claire (an American) wakes up in a terrible state at the end of a runway in Spain. As she tries to account for her state (blood-soaked and bruised), she has flashbacks from the past few days. She thinks she’s killed someone, but isn’t sure, and now she’s wandering the Spanish streets without money or a clear memory.Read More »

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A managing editor of a LA newspaper must put together headlines for the next day in a way that’ll attract the potential readers, deal with hectic going-ons at the workplace and have a serious talk with his wife about her wish to adopt.Read More »

Sharon Curley (Tina Kelleher) is 20, works in a Dublin supermarket, lives at home and is pregnant. If that isn’t bad enough, she adamantly refuses to name the father. In turn shocked, concerned, defensive, embarrassed and angry, her own father, Dessie (Colm Meaney), is determined to support her but as the small town is driven into a frenzy of gossip, his loyalty is soon put to the test. As speculation, suggestion and rumour mount will Sharon manage to keep her secret intact? Will Dessie continue to stand by his daughter and how will the ‘snapper’ be welcomed into the world?Read More »

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In 2018, after years of work, Anthology completed the restoration of Ron Rice’s longest film, THE QUEEN OF SHEBA MEETS THE ATOM MAN (1963/81). Rice completed only three films during his short lifetime (THE FLOWER THIEF, SENSELESS, and CHUMLUM), and at his untimely death in 1964, at the age of 29, he left behind a rough cut of his magnum opus, THE QUEEN OF SHEBA. In 1981 Anthology commissioned Rice’s collaborator and star, Taylor Mead, to complete the film. Mead compiled a score and edited the 16mm footage into its final form, and his version was the basis for Anthology’s 2018 16mm-to-35mm restoration. This spring, as we continue to offer online programming, we’re pleased to make the restoration available to stream, in High Definition.Read More »

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“Intended as a longer film, this proved sufficient to vignette the nuances of my sadness.”

— Anne Charlotte RobertsonRead More »

About the film
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In “The Soul of A Man,” director Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of ’20s and ’30s events – shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James “Blood” Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.Read More »

There are the images of before, the images of after and the letters. The images of after come first, they stem from the same surveillance camera in Wuhan, empty streets that only throng with people again on April 4th, 2020.Read More »