USA

In Dalton, Georgia, the “Carpet Capital of the World,” we meet the unsung creators behind the psychedelic carpets lining casinos, offices, and hotel hallways. Chief among these textile honchos is Roderick James, a Scottish expat with a self-styled outlaw-country manner—and countless schemes to grab himself a larger share of the American dream. Brimming with stranger-than-fiction characters, Carpet Cowboys delivers rich documentary portraiture and bursts of outrageous humor in the tradition of American Movie, Hands on a Hardbody, and Winnebago Man. Executive produced by John Wilson (HBO’s How To with John Wilson) and produced by MEMORY, the team behind Rat Film, Crestone, and All Light, Everywhere.Read More »

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Strange and magical stop-motion fairy-tale for adults, with obsessive-compulsive attention to repetitive details similar to Svankmajer. This is much gentler than Svankmajer though, and holds back its meaning and symbolism just out of reach. Allegedly took Christiane Cegavske 12 years to put together, and the pedantic work on every little repetitive detail feels unusual for a female director. The movie starts and ends with a living doll, tea, cake and a symbolic egg that finds its way into this fantasy world of strange creatures that all become enchanted by the egg and what it brings. Aristocratic mice pay the Oak Dwellers (some kind of mammal with beaks) to make them a female doll but they refuse to hand it over when done, impregnating it with the egg by stitching it into its belly and hanging the doll on a tree. Read More »

Four socialite old friends unexpectedly clash, and switch partners during a party and attempt to make each other jealous.

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Peter Bogdanovich’s stylish take on the classic musicals of the 1930s offers an abundance of pleasures, from wall-to-wall Cole Porter tunes and art-deco sets. Nevertheless, At Long Last Love became the critical punching bag of 1975, due largely to the director’s decision to have his stars perform their songs live on set, a daring experiment that can now be appreciated as part and parcel to the film’s relaxed charm.Read More »

The Birth of a Nation (originally called The Clansman) is a 1915 American silent film directed by D. W. Griffith and based on the novel and play The Clansman, both by Thomas Dixon, Jr. Griffith also co-wrote the screenplay (with Frank E. Woods), and co-produced the film (with Harry Aitken). It was released on February 8, 1915. The film was originally presented in two parts, separated by an intermission.
The film chronicles the relationship of two families in Civil War and Reconstruction-era America: the pro-Union northern Stonemans and the pro-Confederacy Southern Camerons over the course of several years. The assassination of President Abraham Lincoln by John Wilkes Booth is dramatized.Read More »

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Thrown in prison for a hundred years, Little Goofy and Big Goofy finally break free, posing as an anarchic duo of undercover painters. Soon, the boys wind up in a private party as visiting French dignitaries; however, who are they kidding?Read More »

In 1898 friends John Thomas and Lars Larson travel to the Yukon with their wives to make their fortunes. While in Alaska Thomas’ wife gives birth to a boy, and Larson’s wife has a girl, Julia. However, Larson spots a birthmark on his daughter’s shoulder that resembles one on Thomas’ shoulder, and he begins to suspect that he may not actually be the girl’s father. Over the next 20 years the two become millionaires, but Larson’s wife dies. Julia and Thomas fall in love and wish to marry, but Larson is determined to oppose it. Complications ensue (imdb)Read More »

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Yvonne Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger. (Zeitgeist FIlms)Read More »

Mishaps befall a new home owner located next door to an insane asylum.Read More »

Yugoslav partisans grimly crop the hair of a village quintet of women believed to have consorted with the occupational Nazis. Four, for various reasons, have indeed – and their seducer is a lone, swaggering sergeant whom the partisans briskly emasculate. Escorted out of town by the sheepish Nazis, the forlorn ladies link up, patriotically and romantically, with a band of tough mountain guerrillasRead More »