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Though undeniably an exercise in style over substance from the opening frames, Tony Scott’s languid exercise in gothic vampirism may disappoint those with little patience for arty overindulgence, though those with a taste for slow-burning decay may find The Hunger an involving study in the desperation for love and eternal youth. Vampire enthusiasts and Ann Rice followers drawn to the more romantic aspects of the mythology will likewise succumb to Catherine Deneuve’s seductive menace and David Bowie’s otherworldly charismatic performance, with Susan Sarandon offering a compelling turn as a doctor drawn in to the dark underworld while attempting to halt the vampiric Bowie’s rapidly accelerated aging process. Read More »
