Quote:
Frankfurt’s city architect and planner Ernst May and architect Martin Elsaesser became pioneers of Neues Bauen (New Building) in the 1920s. May fled from the Nazis to the Soviet Union, Elsaesser to a secluded island in eastern Berlin. The grandson of Elsaesser tells the story of his famous grandfather’s forced dropout existence and a tragic ménage à trois with the help of previously unknown private footage.Read More »
Table of Contents
Preface 9
Introduction
European Cinema: Conditions of Impossibility? [2005]
National Cinema: Re-Definitions and New Directions
European Culture, National Cinema, the Auteur and Hollywood [1994]
ImpersoNations: National Cinema, Historical Imaginaries [2005]
Film Festival Networks: the New Topographies of Cinema in Europe [2005]
Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005]
Auteurs and Art Cinemas: Modernism and Self- Reference, Installation Art and Autobiography
Ingmar Bergman – Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994]
Late Losey: Time Lost and Time Found [1994]
Around Painting and the “End of Cinema”: A Propos Jacques Rivette’s
La Belle Noiseuse [1992]
Spellbound by Peter Greenaway: In the Dark … and Into the Light [1996]
The Body as Perceptual Surface: The Films of Johan van der Keuken [2004]
Television and the Author’s Cinema: ZDF’s Das Kleine Fernsehspiel [1992]
Touching Base: Some German Women Directors in the 1980s [1987] Read More »