Synopsis:
In this third sequel to “Planet of the Apes,” the apes turn the tables on the human Earth population when they lead a revolt against their cruel masters in the distant year of 1990. By doing this it creates the time loop that leads to the first film. “Conquest of the Planet of the Apes” is cinematically etched in broad, brash strokes slashing social satire and science fiction suspense with large-scale spectacle.Read More »
Plot:
At some time in the future, a crumbling totalitarian state is racked by civil war between the old guard and the insurrectionists.
The current leaders take refuge in the Bunker Palace Hotel, a subterranean shelter staffed by run-down androids. A rebel spy, Clara, manages to infiltrate the secret base, but her mission is unclear. Meanwhile, the assembled leaders await with growing impatience the arrival of their president…Read More »
Captain EO (alternately, Captain Eo) is a 3-D film formerly shown at Disney theme parks.
The film stars Michael Jackson. It was directed by Francis Ford Coppola, executive-produced by George Lucas, photographed by Vittorio Storaro, produced by Rusty Lemorande, and written by Lemorande, Lucas and Coppola. The score was written by James Horner, and featured two songs (“We Are Here to Change the World” and “Another Part of Me”) by Michael Jackson. The Supreme Leader was played by Anjelica Huston. from wikiRead More »
Quote:
Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.Read More »
“A thinking man’s futuristic sci-fi flick that picks up on Orwell’s Big Brother theme.”
Reviewed by Dennis Schwartz
A thinking man’s futuristic sci-fi flick that picks up on Orwell’s Big Brother theme that has the potential to become a cult fave for those who crave Midnight movies and listening to their music at full-blast. Justin Hennard is the young creative whiz behind this project, who was influenced by Kenneth Patchen’s 1941 novel “The Journal of Albion Moonlight.” It makes use of Patchen’s theme that ‘Humans are always having conversations with people who are not present.’
It’s a work of great craftmanship, especially for a low-budget film, shot in a marvelously effective glowing black and white; the David Baker landscape drawings were very effective in creating the dreamy mood of a space flight, while Anthony Locastro’s art settings are imaginative in a goofy way. The other plus is that the ensemble cast all get into this crazy story and embody their characters in a believable though bizarre way.Read More »
Quote:
A scientist living in an apartment complex kills a girl and uses acid to destroy her internal organs, and then kills himself. While investigating, a doctor discovers that the scientist was doing experiments on the use of genetically engineered parasites as organ transplants. Soon, other people in the complex begin showing signs of carrying the parasites, spreading the things through wanton orgiastic abandon, and the complex begins suffering an attrition problem.Read More »
This big budget entry from the early ’80s horror boom is one of the most underrated of that genre. The Entity succeeds despite potentially exploitative subject matter because it tells its story in a serious, respectful style. Frank de Felitta’s script devotes as much time to building three-dimensional characters and detailing the inner workings of psychology and parapsychology as it does creating shocks. As a result, the horrific parts of the tale are more effective because they are couched in a compelling reality. That said, The Entity never feels like anything less than a horror movie, thanks to forceful direction by Sidney J. Furie, who uses moody cinematography from Stephen Burum and an obsessive, minimalist score by Charles Bernstein to create an edgy, off-kilter atmosphere guaranteed to keep the audience tense between the set pieces. Finally, and most importantly, The Entity hooks the viewer thanks to phenomenal performances. Barbara Hershey gives a warm, totally credible performance as a decent, strong woman thrust into a bizarre situation, and Ron Silver adds excellent support as a well-meaning psychologist whose desire to find a rational explanation harms the situation as often as it helps. On the downside, a few of the makeup effects aren’t very convincing (especially when compared with strong physical and visual effects) and the open-ended coda might turn off some viewers, but the overall craftsmanship of the film is too strong to be denied. In short, The Entity is worthy of rediscovery by horror fans who want a little substance with their shocks. — Donald Guarisco (AMG)Read More »
Zetterstrøm is an accomplished pianist who lives and breathes music. When he plays he shuts out his surroundings, isolates himself entirely in a universe where only he and his piano exist in perfect symbiosis, forgetting all that matters, even those who love him. When his girlfriend finally abandons him he is heartbroken, and his already reclusive nature is strengthened. He travels to New York and takes up residence, now playing concerts physically isolated from the audience. Ten years pass and he feels compelled to return to Copenhagen, but in his absence something very strange has happened to his old neighbourhood…Read More »
Quote:
Conceived as the ultimate road movie, this decades-in-the-making science-fiction epic from Wim Wenders follows the restless Claire Tourneur (Solveig Dommartin) across continents as she pursues a mysterious stranger (William Hurt) in possession of a device that can make the blind see and bring dream images to waking life. With an eclectic soundtrack that gathers a host of the director’s favorite musicians, along with gorgeous cinematography by Robby Müller, this breathless adventure in the shadow of Armageddon takes its heroes to the ends of the earth and into the oneiric depths of their own souls. Presented here in its triumphant 287-minute director’s cut, Until the End of the World assumes its rightful place as Wenders’ magnum opus, a cosmic ode to the pleasures and perils of the image and a prescient meditation on cinema’s digital future.Read More »