Synopsis
François (Guitry) is a young sculptor who falls madly in love with his model Catherine (portrayed by Guitry’s real-life wive Genevieve). When his eyesight fails him, Bressoles begins to feel unworthy of Catherine…Read More »
Romance
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Sacha Guitry – Donne-moi tes yeux AKA My Last Mistress (1943)
1941-1950DramaFranceRomanceSacha Guitry -
Grigoriy Chukhray – Ballada o soldate AKA Ballad of a Soldier (1959) (HD)
1951-1960DramaGrigoriy ChukhrayRomanceUSSRQuote:
***One of the best 150 films I have ever seen.***Three years before Andrei Tarkovsky made his first feature film Ivanovo Detstvo (1962) and became one of the most extraordinary directors of all time, war veteran Grigori Chukhrai wrote and directed a memorable and considerably beloved anti-war statement called Ballada o Soldate. This beautiful cinematographic achievement was basically one of the first films that accurately portrayed the human side of people that were involved in the war and the cataclysmic aftermath caused in an environment surrounded by hopelessness and chaos.Read More »
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René Clair – Les grandes manoeuvres AKA The Grand Maneuver (1955) (HD)
1951-1960DramaFranceRené ClairRomanceA French lieutenant makes a bet that he can seduce any woman in town in the two weeks before his regiment leaves for maneuvers, but his chosen target (a Parisian divorcée) isn’t like other girls he’s known.Read More »
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Melvin Van Peebles – La permission AKA The Story of a Three-Day Pass (1967)
1961-1970ArthouseFranceMelvin Van PeeblesRomance -
Jean-Pierre Berckmans – Isabelle devant le désir (1975)
1971-1980DramaFranceJean-Pierre BerckmansRomance

Quote:
In the early 1950s, in a seaside town, Isabelle, a girl in her late teens,is about to spend an apparently eventless summer between her mother, her friends and a small job for a photographer whose business is lagging. But Isabelle is not the mentally balanced young lady she seems to be. In fact she is doubly traumatized, firstly by the rape she suffered eight years before from a Nazi officer and secondly by the suicide of her father shortly after. What she wants deep inside herself is to find a man, young or less young, who will bring her tenderness and happiness. Will Luc, a young German, or Monsieur Vaudois, her married boss, give her what she lacks?Read More » -
Robert Z. Leonard – In Gay Madrid (1930)
USA1921-1930DramaQueer Cinema(s)Robert Z. LeonardRomanceQuote:
The decline in the career of Ramon Novarro, MGM’s eager & energetic romantic leading man, can trace its beginnings to this unfortunate little film. After his great success with THE PAGAN & DEVIL-MAY-CARE (both 1929), this had to have been quite a disappointment. With his pleasant accent & fine singing voice, Novarro had already proved that talking pictures would be no problem for him – if given the right roles.Read More » -
Alli Haapasalo – Tytöt tytöt tytöt AKA Girl Picture (2022)
2021-2030Alli HaapasaloFinlandQueer Cinema(s)RomanceQuote:
Mimmi, Emma and Rönkkö are girls at the cusp of womanhood, trying to draw their own contours. In three consecutive Fridays, two of them experience the earth moving effects of falling in love, while the third goes on a quest to find something she’s never experienced before: pleasure.Read More » -
Bojena Horackova – Walden (2020)
2011-2020Bojena HorackovaDramaFranceRomanceAfter twenty-five years of exile in Paris, Jana returns to Vilnius. She wants to find the lake that Paulius, her first lover, called “Walden”. Chronicle elegiac of Lithuanian youth before the fall of the communist bloc.Read More »
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Manoel de Oliveira – La lettre AKA A Carta (1999)
1991-2000ArthouseFranceManoel de OliveiraRomanceQuote:
A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.Read More »







