Romance

Kurt and Lydia are planning a relaxed vacation at the Gripsholm castle in Sweden . What Lydia does not know is that for Kurt, a well-known publicist, the journey is actually a flight from encroaching fascism and a direct threat from the Nazis.

The film takes us deep into the shady, pleasure-seeking cabaret world of Berlin at the beginning of the 1930’s, where “open season” has been declared on the last remaining bourgeois taboos, and the few remaining fig leaves of modesty are about to be swept away. Kurt, a campaigning journalist and satirist who has become a celebrity thanks to the rather saucy lyrics he has written for the songs of various shows has set off with his girlfriend Lydia, his princess, on a journey to Gripsholm castle in Sweden, in the course of a seemingly endless summer. Two friends, the fashionable variety show singer Billie and a temperamental aviator who goes by the name of Karlchen join them briefly on the holiday in Sweden. Erotic impulses inevitably lead to complications in their relationships.Read More »

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Nothing like a love triangle to spice up Christmas, right? Don Hartman’s Holiday Affair delivers that and…well, not much else, but it’s still an enjoyable romantic comedy that’s fallen well under the radar during the last 70 years. At the center or if all is young widow Connie Ennis (Janet Leigh); she lives with her precocious son Timmy (Gordon Gebert), works as a comparison shopper, and has been dating lawyer Carl Davis (Wendell Corey) for two years. After a mistake almost costs Connie her job, she’s saved by clerk Steve Mason (Robert Mitchum)… that is, until he’s promptly fired for not calling her out. Nonetheless, their resulting afternoon is spent together and she takes a liking to the smooth- talking war veteran, who also leaves quite an impression on little Timmy. Carl, of course, is skeptical.Read More »

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Who directed Jane Eyre? The credits clearly state Robert Stevenson, but a cult of sorts has sprung up over the decades since the film’s 1943 release to claim that it was really helmed—in spirit if not in letter-by its star Orson Welles. Stevenson’s wife and kids argue quite vociferously to the contrary, and certainly the public record, while tantalizingly ambiguous about what (if anything) Welles contributed, does not seem to support this thesis. But there is simply no denying that there is a huge Wellesian influence looming over the film like one of its intrinsically Gothic shadows. Stevens and cinematographer George Barnes often frame things in much the same way Welles and his cinematographer Gregg Toland did in Citizen Kane or how Welles and Stanley Cortez approached The Magnificent Ambersons. Read More »

A dynamic woman who aspires to be a writer, living a wild life in constant search of freedom while indulging in lust with four men.Read More »

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Jean-Claude Rousseau is a filmmaker who believes in the natural power of images. The rigid compositions create something like a pure state, which constantly changes during the period of its viewing – like an empty and simultaneously detail-packed field. During this period the viewer is challenged to find and occupy his own position, to find his perspective in a similar way the filmmaker has found his in several places. Festival combines places the artist has visited during the last few years. Jean-Claude Rousseau’s films not only make beautiful discoveries, they are beautiful discoveries.Read More »

French helmer Christian Vincent’s quirky labyrinthine comedy Quatre étoiles (AKA 4 Stars, 2005) opens with a comely young girl named Franssou (nicknamed France) stumbling into a highly promising set of circumstances. Though France’s great-great aunt feels less than completely enchanted with her, she wills the young girl an inheritance of 52,000 Euros ($62,000.00) on her deathbed. Upon receiving the money, France promptly ditches her dishwater-dull beau and high-tails it to a posh hotel in Cannes, where she falls into the lap of Stephane – a pushy flim-flam artist eager to pass himself off as Elton John’s front man, then to hit France up for 30,000 of the Euros. Though France sees right through his ploy, she (surprisingly) agrees to the request – but nothing can compare Stephane for the conditions that France will impose – or for the genuine feelings that France begins to harbor for him. Or does she? Screen vet François Cluzet co-stars; Vincent co-authored the script with Olivier Dazat.Read More »

Free-thinking Johnny Case finds himself betrothed to a millionaire’s daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle a career in finance, he rebels, wishing instead to spend the early years of his life on “holiday.” With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and who he’d rather take the leap with.Read More »

Plot: A famous painter returns to Spain under a false name as he once had to run away, to meet his half gypsy daughter, who has become a flamenco dancer. He offers her his house, making popular rumors take flight.Read More »

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In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That’s all — there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.Read More »