Quote: A powerful experience which delves into territories of madness and transcendence, The Garden is a statement about director Derek Jarman’s anger over the AIDS crisis. Produced by James Mackay (Blue, The Kingdom of Shadows), it is an intellectual, thought-provoking, and visually imagination experience that fans of the filmmaker won’t want to miss. A must-see gem.Read More »
Quote: Asian Erotic. Teresa Cheung stars as a real estate agent drawn into a torrid – and sadomasochistic – relationship with a morose, stunningly beautiful Japanese photographer played by male model Sho. The two cavort in a luxurious apartment owned by an elegant upper-crust Japanese lady (Japanese diva Matsusaka Keiko), crossing paths with an infatuated policeman (Carl Ng), a mysterious Korean woman (Korean transgender Ha Ri Su), and an increasingly tangled web of violence, criss-crossing passions, and lurid, unchecked desires…Read More »
At the beginning of the 20th century on the island of La Réunion, five adolescents of good family, enamored with the occult, commit a savage crime. A Dutch Captain takes them in charge for a repressive cruise on a haunted, dilapidated sailboat. Exhausted by the methods of the Captain, the five boys prepare to mutiny. Their port of call is a supernatural island with luxuriant vegetation and bewitching powers.Read More »
Quote: Agnes and his brothers have little in common, except an eccentric old father, relationship problems that are totally screwing up their lives, and the distinct possibility those two things are connected. Hans-Jörg conceals his sexual frustration behind his meek librarian appearance. Sex addict meetings don’t seem to be stopping his incessant masturbation and awkwardness with women. But his life changes drastically when he finds outlets for his anger and lusty libido. Werner is much more successful at political combat than family diplomacy. He’s caught up in an upperclass suburban nightmare and bickering is the only heat left in his marriage.Read More »
PLOT: Follows social media celebrity Jordan Firstman as he starts a search for filmmaker Sebastian Silva who went missing in Mexico City. He suspects that the cleaning lady in Sebastian’s building may be involved in his disappearance.Read More »
Quote: Set in the mid-sixties of Singapore, Bugis Street is an off-beat period drama about a young woman’s coming of age among a community of drag queens who work in the famous tourist/red light district: Bugis Street. Lien, is a wide-eyed 16-year-old girl who has just moved from a rural village to Singapore where she works as a maid in the Sing Sing hotel. Little does she know, the hotel is the infamous residence for transsexuals and transvestites who work on Bugis Street.Read More »
Quote: Stars Playgirl discovery Roger Huckstex in his big screen/feature film debut. Hot voyeurism as we cruise around L.A. with Roger in his milk truck. Kinky happenings as he discovers new uses for dildoes fastened to his hanging jockstrap.Read More »
Quote: The last of this loose trilogy is Sextool. This is probably the most complex of Halsted’s films, with radical narrative shifts and some of the — still — raunchiest sex scenes in all of non-amteur gay porn. Sextool features the director’s trademark faceless machos: a pair of cops who shove their nightstick up a trick ‘s ass, and a group of sweaty gangbangers who whip, fuck, and fist a cornfed blonde sailor on a bunk bed without a mattress. This scene offers a distillation of Halsted’s world-view. The ruthless abuse of the neatly dressed, boyish, sweet-faced sailor is the director’s most pointed assault on everything wholesome that he hated in postwar American culture. The sailor-boy’s enthusiastic acceptance of his abuse is Halsted’s proof that the mindless “goodness” and optimism of the rising middle class deserved to be attacked, and he does it with gusto. Like the sailor, Joey Yale appears as a too-willing bottom, eagerly embracing the authentic abuse that the real Fred Halsted dishes out. Sadly, the culture wasn’t as accommodating as Yale; these films were censored and remain difficult, and in the case of Sextool, virtually impossible to see (much less own) even today outside rare cinematheque and museum screenings.Read More »