Quote:
A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death?Read More »
Orson Welles
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Orson Welles & William Vance – The Hearts of Age (1934)
Orson Welles1931-1940ExperimentalShort FilmUSAWilliam Vance -
Orson Welles – The Tragedy of Othello: The Moor of Venice [European Version] (1952)
1951-1960DramaOrson WellesUSAWilliam ShakespeareWinner of Grand Prix du Festival International du Film 1952 Festival de Cannes
Criterion Collection writes:
Gloriously cinematic despite its tiny budget, Orson Welles’s Othello is a testament to the filmmaker’s stubborn willingness to pursue his vision to the ends of the earth. Unmatched in his passionate identification with Shakespeare’s imagination, Welles brings his inventive visual approach to this enduring tragedy of jealousy, bigotry, and rage, and also gives a towering performance as the Moor of Venice, alongside Suzanne Cloutier as the innocent Desdemona, and Micheál MacLiammóir as the scheming Iago. Shot over the course of three years in Italy and Morocco and plagued by many logistical problems, this fiercely independent film joins Macbeth and Chimes at Midnight in making the case for Welles as the cinema’s most audacious interpreter of the Bard.Read More » -
Orson Welles – Vérités et mensonges aka F for Fake (1973)
1971-1980ArthouseDocumentaryFranceOrson Welles
Quote:
Orson Welles’ free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr’s biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles’ own career (which started with a faked resume and a phony Martian invasion). On the way, Welles plays a few tricks of his own on the audience.Read More » -
Orson Welles – The Stranger (1946)
1941-1950CrimeFilm NoirOrson WellesUSA

The Stranger is often considered Orson Welles’ most “traditional” Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed–but not unduly so–by Meineke’s presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler.Read More »
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Alan Yentob – Arena: The Orson Welles Story (1982)
Documentary1981-1990Alan YentobBBCOrson WellesUnited Kingdom

Plot
Two-part profile of actor-director Orson Welles, looking at his life and career in theatre, radio and particularly film.Read More » -
Orson Welles – Don Quijote de Orson Welles (1992)
1991-2000ClassicsFantasyOrson WellesSpain

“Perhaps the most fascinating component of the films directed by Orson Welles was the masterpiece he never lived to complete. Beginning in 1957 and continuing on-and-off for the next 15 years, Welles self-financed and directed an audacious film version of Cervantes’ “Don Quixote” which brought the legendary knight and his rotund aide Sancho Panza out of 16th century Andalusia and into the world of (then-) modern Spain. But despite his genius behind the camera, Welles was remarkably neglectful in maintaining and preserving the footage he created and much of his work was considered lost…and the footage that remained was not properly stored! However, throughout the 1980s and early 1990s the Spanish filmmakers Jess Franco (who served as Welles’ second unit director on Chimes at Midnight) and Patxi Irigoyen tracked down nearly all of the surviving footage, finished the incomplete soundtrack based on Welles’ notes, restored the footage where they could and offered a reconstructed Don Quixote de Orson Welles in 1992…” – Phil Hall, Filmthreat.comRead More »
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Orson Welles – Touch of Evil [Restored Version] (1958)
1951-1960250 Quintessential Film NoirsFilm NoirOrson WellesUSA
Quote:
A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.Read More » -
Orson Welles – Too Much Johnson (1938)
1931-1940ComedyOrson WellesSilentUSA
Synopsis:
Posing as wealthy Cuban plantation owner Joseph Johnson, Augustus Billings is having an affair with married Clairette Dathis. Augustus is able to get away just before Clairette’s husband, Leon Dathis, comes home. But Leon finds out about the affair. With Augustus’ photograph in hand, Leon goes on a search for his wife’s lover. The ensuing chase leads to one sight gag close call after another. Eventually, the real Joseph Johnson in Cuba gets unwittingly into the act.Read More » -
Orson Welles – Mr. Arkadin [The Comprehensive Version] (1955)
1951-1960250 Quintessential Film NoirsFranceMysteryOrson WellesThriller
Synopsis:
‘Guy Van Stratten, American smuggler, leaves an Italian prison term with one asset, a dying man’s words about wealthy, mysterious Gregory Arkadin. Guy finds it most pleasant to investigate Arkadin though his lovely daughter Raina, her father’s idol. To get rid of Guy, Arkadin claims amnesia about his own life prior to 1927, sending Guy off to investigate Arkadin’s unknown past. Guy’s quest spans many countries and eccentric characters who contribute clues. But the real purpose of Guy’s mission proves deadly; can Guy himself survive it?’
– Rod Crawford (IMDb)Read More »

