Marcel Pagnol

Synopsis wrote:
Honoré Panisse is dying, cheerfully, with friends, wife, and son at his side. He confesses to the priest in front of his friends; he insists that the doctor be truthful. But, he cannot bring himself to tell his son Cesariot that his real father is Marius, the absent son of César, Cesariot’s godfather. Panisse leaves that to Fanny, the lad’s mother. Dissembling that he’s off to see a friend, Cesariot then seeks Marius, now a mechanic in Toulon. Posing as a journalist, Cesariot spends time with Marius and leaves believing tales he is a petty thief. Only after the truth comes out can Marius, Fanny, César, and Cesariot step beyond the falsehoods, benign though they may be.Read More »

This little-known Marcel Pagnol production stars his wife Jacqueline as a miller’s daughter. The film concerns her romance with the rich and powerful Schubert, played by Tino Rossi. However, the storyline of La Belle Meuniere is not as fascinating as the film’s technical history. It was lensed in an experimental process called Rouxcolor, wherein four black-and-white images were projected on the screen simultaneously through special tinted lenses, thereby giving the illusion of color and depth. Pagnol had intended to make film in the usual “flat” black-and-white process, but when he became intrigued with Rouxcolor he scrapped his completed footage and started all over. Unfortunately, Rouxicolor proved too cumbersome for widespread distribution. ~ Hal Erickson, All Movie GuideRead More »

Quote:
Merlusse is a teacher in an all-boys boarding school – pupils hate him since he smells, they think, has a glass eye and is very strict. When Christmas Eve arrives most boys leave school to spend the holidays with their families but a small group of lonely boys is left behind with Merlusse as their overseer. Merlusse doesn’t get along with the boys very well and they pull various tricks on him…Read More »

Judy Bloch, Pacific Film Archive wrote:
Aubignac, a village situated high upon a crag in Provence, suffers the common fate of such enclaves, reduced and abandoned over time. Only three people remain: an old blacksmith, a withered crone, and a middle-aged poacher, Panturle (Gabriel Gabrio). And finally, it is Panturle, alone. Enter Arsule (Orane Demazis), a down-at-the-heels cabaret singer, and Gédémus (Fernandel), an itinerant knife-grinder who has picked her up; now she pulls his cart, like something out of La Strada. Arsule and Panturle team up to revitalize her existence and his land, the welcoming soil of Aubignac. Harvest, based on Jean Giono’s novel, is at once Pagnol’s crudest and clearest statement about humans and the earth: both will decay if left alone. But there is darkness, too—like the grinder whose comic ruses are edged with threat—against which the simple humanity of Arsule and Panturle becomes rather more complex.Read More »

It was to be Marcel Pagnol’s last film; like Mankiewicz, he did not make any movies (apart from a short) in the last twenty years of his life; probably busy writing his memoirs (“le Château De Ma Mère,La Gloire de Mon Père ” which were successfully tranfered to the screen by Yves Robert in the late eighties.).

Alphonse Daudet’s short stories were tailor made for a Provençal director such as Pagnol;if you go to Provence,you can visit the windmill where Daudet was supposed to write his “letters” ;actually he never lived in this place,but in the castle of some of his friends near the legendary mill.But it’s true that most of the stories which were included in “LETTRES DE MON MOULIN” are true stories: Daudet was told about Maitre Cornille ,MR Seguin’s goat and others by peasants and shepherds he used to meet when he walked across the hills.Read More »

IMDB wrote:
Jofroi sells his orchard to Alphonse. Alphonse wants to use the land for crops, so he starts to cut down the trees. Jofroi is furious: how can someone cut down those trees? He threatens to commit suicide so that the small town will blame Alphonse and Alphonse’s life will be miserable. Alphonse, the curate, the teacher, and some of the townsfolk spend the rest of the movie trying to keep Jofroi from committing suicide… This is not complicated… the movie is not about the plot; it is all about the characters and the dialogue.Read More »