In the deserted hills of an Indonesian island, Marlina (Marsha Timothy), a young widow, is attacked and robbed of all her livestock by a gang of seven bandits. She then defends herself, setting out on a journey to find justice, empowerment, retribution and redemption. But the road is long, especially when she begins to be haunted by the ghost of her victim. A stunning Scope western set to a Morricone-inspired score, this unique tale of female cinematic revenge takes no prisoners.Read More »
Impulse (1977)
An early experimental abstract animation, made by drawing directly on to 16mm filmRead More »
Synopsis:
Siti (Artika Sari Devi) and Setio (Martinus Miroto) are a married couple living in a small village. They were once dancers in plays depicting the Ramayana, but have since retired from the stage to sell earthenware pottery.
Siti used to play the part of Sita, the wife of Prince Rama, whom Setio portrayed. In an episode from the Ramayana, Siti becomes the object of desire of evil King Ravana and is abducted by him.
The events of the Ramayana are paralleled in the characters’ real lives when Ludiro (Eko Supriyanto), a butcher who rules over all the village’s business affairs, tries to seduce Siti. Read More »
Timely in terms of current Indonesian politics but in other respects long overdue, Nugroho’s extraordinary film looks back to 1965, when the assassination of seven army officers was unconvincingly pinned on communists—giving the dictator Suharto all the excuse he needed for decades of authoritarian rule and arbitrary arrests. There were mass arrests and executions in Aceh, then as now considered Indonesia’s most fractious province. One lucky survivor was the poet Ibrahim Kadir. Nugroho invites Kadir (now 56) to perform some of the didong narrative poems he has written in the intervening years, amid a recreation of events in the Takengon Prison. The film focuses on cells 7 (for men) and 8 (for women); the inmates keep their spirits up with songs, stories of local courtships and tales of government stupidity. More elegiac than angry, the film is presented—very poetically—as a slow transition from monochrome to delicate colour.Read More »
The Evil Queen returns to possess an American girl who she orders to go out and claim victims to sate her blood lust.
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