Germany

The most comprehensive documentation of events surrounding the 1989 Monday demonstrations in Leipzig, East Germany. The film team finally got the permission of the state-owned film studio to document these historic events on October 16, 1989 and filmed until the fall of the Berlin Wall. With their heavy 35mm camera equipment, they were the only professional team filming in Leipzig. The film includes interviews with demonstrators, members of the citizens’ rights movement, officials and bystanders in East Germany’s peaceful revolution.Read More »

Quote:
Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster’s daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.Read More »

Synopsis
A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers, Nightfall is Kelemen’s most polished despair-fest. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick. With perfect bad timing, Anton wanders by the parked car where she is engaged, and in a frenzy of depression, carves her name on his knuckles. A sympathetic hooker bandages his hand and even gets him to dance before she lets her wig slip and passes out on the bar. Then it’s on through an after-hours club of sodden depravity to the bleary dawn.Read More »

Quote:

I wasn’t satisfied with the first two versions of the script which I had commissioned in Warsaw.

Luckily for me, at that time Bulgakov’s novel The Master and Margarita was first published in Poland. I was thrilled by it. I realized that I would not find a better text for the film than the story of Pilate. Everything was there: Christ, Pilate’s dark intrigue, Judas’ betrayal and the desperate loneliness of the single disciple and Evangelist.Read More »

A group of fishermen on a precariously balanced platform fight over a trunk.Read More »

History and stories of Brest station on the border between Poland and Belarus, 1941 starting point of the National Socialist war against the Soviet Union. An oppressive study, enriched with archive material, which reports with partly bizarre, partly moving snapshots of the disintegration of a society. Private and history are skillfully interwoven into a fascinating kaleidoscope. (Russian with German subtitles; TV and video title: “Bahnhof Brest”)Read More »

Film by Hellmuth Costard, BRD, 1967, 3 min., 35mm

with Barbara Rieck and Peter Dahl

Cinema is also parodied in Warum hast du mich wachgeküsst: in the bombastic title announcement in beautiful colours and at the end in a …Read More »

IMDB:
Yuri is a young musician. He is very afraid of death. For this reason, he hardly leaves his apartment. One day he meets a mysterious man who claims to be death. He takes him on an extraordinary journey.Read More »

At the end of 1970, the Filmmuseum in the City Museum of Munich showed a small Sirk retrospective (six productions from All That Heaven Allows to Imitation of Life). Fassbinder watched all of the films in this showcase and was deeply moved: “That really breaks you up in the movie theater. You understand something about the world and what it is doing to you.” This cinematic experience must have been a revelation for him. He described his impressions vividly in an extensive essay, and came to the conclusion: “I have seen six films by Douglas Sirk. Among them are the finest films in the world.” The young filmmaker went to visit the Hollywood veteran, who was now living in the Swiss canton of Ticino. And when the almost eighty-year-old director was teaching at the Munich Academy of Television and Film (HFF/M), Fassbinder took on one of the parts in an academic production that Sirk was supervising. (He played in Bourbon Street Blues, the film adaptation of a one-act play by the well-known writer Tennessee Williams). Sirk’s work experienced a renaissance, not least of all thanks to Fassbinder’s essay, but the influence Sirk exerted on him has nevertheless been somewhat exaggerated.Read More »