Germany

Quote:
The head of a Berlin advertising agency explains his proposed strategy to his potential client, a Danish optical company. The communication strategy that we ultimately came up with as a basis or any creative act or means of communication has three headings.

The first is ‘relevant, not arrogant’; the second, ‘varied, not uniform’; and the third is, ‘creative, not pushy’. These are essentially translations, strategic translations of your basic requirements and your analysis of the market, as well.Read More »

Quote:
Six Catholics share their thoughts and problems with Jesus in different churches. The camera accompanies them.

Great, uncompromising semi-documentary about six people who tell Jesus any given detail that is on their mind. They practice in such detailed manner that not seldomly you won’t manage to keep serious. For instance Elfriede who while cleaning the church’s floor and dusting the crucifixes starts her whining soliloquy about her Muslim husband’s behavior after sickness, his TV habits which appear to have taken influence on their relationship. Read More »

LOVE, DEUTSCHMARKS AND DEATH is a documentary film about the independent, and as of yet, unknown music of emigrated Turkish guest workers and their grandchildren in Germany. In a musical and essayistic form, Cem Kaya shares insights into the unique liveliness of this forgotten subculture.Read More »

Synopsis:
Yet another of Franco’s variations on De Sade’s PHILOSOPHY IN THE BOUDOIR. While it lacks the star power and scope compositions of DE SADE 70 and the hardcore grunginess of COCKTAIL SPECIAL, EUGENIE 80 is one of Franco’s best works of the eighties and has the elegance of the Harry Alan Towers production and is satisfyingly explicit without being XXX. Eugenie (Katja Bienert) is on vacation with her family (the resort is the same ornate building used in SHE KILLED IN ECTASY and THE PERVERSE COUNTESS) and is noticed by a decadent couple who seduce her parents in order to initiate Eugenie into their games of perversion. Franco’s eighties regulars Antonio Mayans and Tony Skios are on hand as well as Lina Romay as the decadent couple’s “pet dog.” A must see.Read More »

Quote:
After the German reunification: A widowed, unemployed archaeologist with two children and a single futurologist with a little daughter in Berlin fall in love at first sight and persistently and unwaveringly develop a life together. An equally unspectacular and rigorous examination of love as a crucial basis for private and political action.Read More »

PLOT: Hans is an ex-foreign legionnaire, ex-cop and a lifelong member of the middle-class. His family, especially his wife, derides him for his lack of ambition and his chosen profession: running a fruit stand. When a heart attack impedes his ability to work, his dissatisfaction turns into despair…Read More »

In the 80s: new border barriers were needed in the GDR. Attempts to escape by car to the west increased. Metal workers of the IFA and state security work hand in hand for the defense against “terrorism” to prevent escapes. In conspiratorial work after work they worked on new barriers. Crash tests for counter-terrorism, collisions for emergencies. Cars rest there in the new barriers and leave total damage. The barriers were installed at all border crossing points from the mid-80s. “SCHRANKEN” tells of the motivation of those involved, of tragically ending escapes and gives insights into German engineering and military spirit. Archaeology GDR pure. A geneaology of the East.Read More »

Plot:
The costume drama Die Marquise von O is French director Eric Rohmer’s first feature-length theatrical release after a four-year break from filmmaking. Based on a novella by Henrich von Kleist, the dialogue is spoken in the original German language and the story is set in Italy during the 18th century. Edith Clever plays the widowed Marquise, who is sexually assaulted by Russian soldiers and rescued by a Count (Bruno Ganz). Some time later, she has to explain to her parents (Peter Lühr and Edda Seippel) and brother (Otto Sander) why she’s pregnant. Die Marquise von O won the Grand Jury Prize in the 1976 Cannes Film Festival. At least one of the home video releases and several capsule reviews erroneously state the film (and its parent novella) as unfolding during the Franco-Prussian wars, but both are actually set during the Napoleonic Wars, hence the presence of Russian troops.Read More »

A descendant of Robinson Crusoe, dreams of escaping to a remote desert island. He invents a chemical which works both as an anti-pollutant and a powerful anaesthetic. He then sails out to a desert island with three girls and settles there posing as a god to the local natives.Read More »