Germany

A poor postman in Isla Negra, Chile, befriends Pablo Neruda and asks his help in writing poems to the woman of his dreams.Read More »

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A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst’s visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory. With this film, director Slatan Dudow (1903-1963) continued the traditions of proletarian German film from the Weimar Republic. As with his first feature film Kuhle Wampe, from a screenplay by Bertolt Brecht, Dudow wanted an art that “cultivates the viewer’s psyche.” His postwar films were intended to make the viewers realize the importance of supporting the “new order” in East Germany. Our Daily Bread became known as a premiere film of its day under the rubric of “socialist realism.” Slatan Dudow’s work was convincing mainly through his detailed descriptions of socialist everyday life. Music by Hanns Eisler was the centerpiece of contemporary review. After coming back from his exile in America, the composer created a score that challenged, thrilled, and focused. Berlin’s world of ruins is captured in almost documentary fashion.Read More »

Another beautiful comedy with Cleo Kretschmer & Wolfgang Fierek!

Inge, Drogistin in einer bayerischen Kleinstadt, hat ihr Herz an den Kraftfahrzeugmechaniker Hub verloren, ohne dass dieser auch nur im Entferntesten davon etwas ahnt. Inge will fürs erste auch gar nicht, dass Hub erfährt, wie es um sie steht. Nichts soll ihn ablenken von dem großen Ziel, dass er und ihr Bruder Wolfgang – Kraftfahrzeugmechaniker wie Hub – mit Verbissenheit und Energie verfolgen: den Bau einer Rennmaschine, um an einem Moto-Cross-Rennen teilnehmen zu können. Inge möchte einen Helden lieben, und so tut sie alles dafür, dass der Traum der Jungen in Erfüllung geht. Freilich kränkt es sie, dass der motorradbesessene Hub überhaupt keine Notiz von ihr nimmt. Read More »

Translated from German wikipedia wrote:
The film was shot in the UFA-Union-Filmstudios, Berlin-Tempelhof. The sets were designed by Kurt Richter. Although the National Film Archive also has designs by Paul Leni for the film, his involvement cannot be confirmed due to rediscovered film credits. The same applies to Ossi Oswalda’s involvement as an actor, as stated by Hermann G. Weinberg in 1977.
The 1,163-meter-long film was examined by the censors in July 1918. The premiere of the film, which was announced in the Lichtbild-Bühne as Der Fall Rosenblum,[4] was on September 20, 1918 at the U.T. Friedrichstraße in Berlin.Read More »

Synopsis:
Berthold Maschkara, 36, has lost the job he would have liked to keep. Even a severance package of 30,000 marks doesn’t make him happy. When he looks for a new job, he meets Thomas, who lives in the apartment hotel next door. Thomas is ten years younger and spent seven years as an air traffic controller in the German army. During his civilian service, he needs his high school diploma, which he now wants to catch up on. He, too, has 30,000 marks at his disposal, which is his replacement for his service with the federal government. Both are in the same situation. They have to start all over again. A little start-up capital could make their future easier. But they go different ways, which cross from time to time… The film tells what they experience in the next two weeks, how they lose their money and still keep going, two outsiders who have to realize that they can’t live outside society either.Read More »

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Made during his self-imposed exile in Germany, Ingmar Bergman’s From the Life of the Marionettes offers a lacerating portrait of a destructive marriage and a complex psychological analysis of a murder. Businessman Peter nurses fantasies of killing his wife, Katarina, until a prostitute becomes his surrogate prey. In the aftermath of the crime, Peter and Katarina’s psychiatrist and others attempt to explain its roots. Jumping back and forth in time, this compelling film moves seamlessly between seduction and repulsion, and the German cast is superb.Read More »

According to Harun Farocki, today’s photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life – the “still life”. The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary “still life”: a cheese-board, beer glasses and an expensive watch.Read More »

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Destined to become a famous madame, a young woman experiences her sexual awakenings.

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Sensational Janine (German: Josefine Mutzenbacher… wie sie wirklich war – 1. Teil) is a 1976 West German hardcore costume drama-sex comedy film directed by Hans Billian. The film is an adaptation of the anonymous early 20th century novel Josephine Mutzenbacher on the sexual awakening of the eponymous and fictional fin-de-siècle Viennese courtesan.Read More »

Claus Räfle’s “The Invisibles” tells the true story of four Jewish teenagers—Cioma Schönhaus (Max Mauff), Hanni Lévy (Alice Dwyer), Ruth Arndt-Gumpel (Ruby O. Fee), Eugen Friede (Aaron Altaras)—who chose to remain in Berlin during the Holocaust. We are provided a title card which states that 7,000 Jewish people chose to stay in the city. Only 1,500 survived. For the most part, the film is a compelling docudrama, smooth and confident in juggling reenactments, interviews of actual survivors, and black-and-white footages—occasionally in color—of Nazi occupied Berlin. And yet, appropriately, it is not a sentimental or melodramatic picture. Instead, it aspires to be a grave reminder of a horrible past beyond imagination and an admonition of a potential future should we fail to learn from our history.(Cinéologist , letterboxd)Read More »