

Thia and Murelli, who live from car stunt shows, make ends meet by carrying out small burglaries (imdb)Read More »


Thia and Murelli, who live from car stunt shows, make ends meet by carrying out small burglaries (imdb)Read More »


Synopsis:
‘Isabelle dreams of becoming a great actress and so she is over the moon when she is accepted into the Conservatoire, France’s leading drama school. Her talents are immediately spotted by her drama instructor, Professor Lambertin, who is appalled to hear that Isabelle may have to abandon her studies so that she can earn her keep in her adopted parents’ laundrette. Isabelle’s guardians have a change of heart when Lambertin visits them in person and convinces them that his is a noble profession and that their ward has the makings of a fine actress. At the school, Isabelle falls in love with an older student, François, who has a reputation as a lady’s man. When François begins an affair with Isabelle, his former girlfriend Cécilia is consumed with anger and jealousy. She plans to use her theatrical training to inflict on her former lover a cruel and deadly revenge…’
– Films de FranceRead More »


In the kingdom of the Moguls, Prince Roudghito-Sing, a young officer of the palace, falls in love with Zemgali, a captive princess held prisoner and coveted by the Grand Khan. Fleeing the country, he takes refuge in Paris and his presentability allows him to be hired as an actor by a French film company. The trouble is that Anna, the star of the movie, is attracted to him. Which displeases banker Morel, the producer and Anna’s lover…Read More »


Quote:
Countess Laure Maresco falls in love with a player, Jacques Prémont-Solène. He loses a large sum and dreams of suicide. Laure prevents her, before learning that her lover has squandered the recipe for a charity party that she attended. His family sends the young man to America to put an end to the scandal. Twenty years later, after a fortune, he returns.Read More »


Marcel, night guard receives some evenings visiting night owls who come entrust their stories and problems.
(google trad)
Part of Télévision de chambre’s show.Read More »


This is the only movie the great French actor Charles Vanel (‘The wages of Fear’ by H. G. Clouzot) wrote and directed (he also directed a short film ‘Affaire classee’ in 1931) during his long career (the longest career of any film actor from 1908 to 1988).
A man (played by Vanel) who is working in a mine has recently married a beautiful young woman (Sandra Milovanoff, an actress who have worked with Sacha Guitry and Rene Clair among others). They strongly love each other but everyday they have to live separated because he has to go to work. One day, three children decide to make some tricks nearby the mine. Their ‘games’ have a very dramatic ending because part of the mine collapse and the man is injured and trapped under the rocks. After the rescue, the man survives but he is completely disfigured to the point that he has to wear a mask when he is in public and even in front of his wife. The happiness he and his wife were living in their everyday life starts to fade.Read More »

Three shores is the portrait of an imaginary river. By crossing it, from east to west, or by making a detour to the south, from red to green, from the undergrowth to the city, to its industrial zone: the film attempts to map the functioning and organization of our society through the time of flowing water.Read More »


Quote:
Petty thug Michel panics and impulsively kills a policeman while driving a stolen car. On the lam, he turns to his aspiring journalist girlfriend Patricia, hiding out in her Paris apartment. When Patricia learns that Michel is being investigated for murder, she begins to question her loyalties.Read More »


Movie’s themes : French experimental of the 70’s, Time
Quote:
“Claudine Eizykman’s Bruine Squamma (bruine: a kind of mist which absorbs and reflects light, and squama: a sliver of the epidermis which is shed from the skin), is impressive for the way it is organised and its jamming of a series of sporadic images, infinitely repeated and varied, with no narrative impulse whatsoever. Nothing but flashes, explosions, extinctions, splashes of images which succeed one another, shift forward or back, are superimposed, as in a game of transparent cards.”
Boris Lehman in La relève, 25/11/77.Read More »