France

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Les Gazolines est un groupe issu du Front homosexuel d’action révolutionnaire (FHAR) formé à Paris en 1972 et dissous en 1974. Leur nom proviendrait de la chanson Gasoline Alley de Rod Stewart. Le mouvement est fondé par Maud Molyneux, Patrick Bertaux et Paquita Paquin comme une «sorte de continuation du FHAR». Parmi ses figures les plus connues, on compte Marie France — en quelque sorte la « mascotte » du groupe, même si elle n’en faisait pas partie, une sorte d’«égérie» —, Hélène Hazera, Jenny Bel’Air. Constitué de travestis3 et de femmes déguisées3, le petit groupe se signale par sa provocation esthétique, idéologique, et ses jeux sur le genre. Read More »

A lonely young woman discovers life, love and death (and a runaway sheep) in one eventful night in Paris. Director Robert Enrico charms a delightful performance from Joanna Shimkus.Read More »

Russian stage star Ivan Mosjoukine plays the title role in this far-from-accurate biopic of legendary Italian lover Casanova. The main plot concerns itself with political intrigue, as Casanova travels from Venice to Russia and back again on a variety of “secret missions.” This doesn’t prevent the amorous hero from enjoying the favors of several delectable females. Even Russia’s Catherine the Great (Suzanne Bianchetti) briefly falls under Casanova’s spell. But when all is said and done, it is the lovely Therese (Jenny Jugo) who captures the protagonist’s heart. Highlights include the spectacular Carnival of Venice sequence and the splendiferous scenes within the palace walls of Czarina Catherine. Casanova was truly an international production: It was filmed in France but financed and written by Germans, while its star and director were Russians. The film ran into some curious censorship troubles in the U.S., and as result it was retitled Prince of Adventurers, with the main character rechristened as “Roberto Ferrara”! ~ Hal Erickson, All Movie GuideRead More »

Olivier is a real estate agent so broke he camps out in the apartments he is supposed to be selling. The death of his mother brings along many surprises, including a very unexpected inheritance: a run-down building on the outskirts of Paris! Faith renewed, Olivier is going to be able to pay long overdue child support, rebuild his relationship with his daughter, help his dad out and square up with his ex-wife. His hopes die out when he sees the building: it is completely run down, filthy, a burden rather than the life raft he needed. Moreover, an old woman, Liliane, is a squatter on the top floor, and he can’t flip the place with her around.Read More »

This Government-commissioned documentary was intended to reflect the modernisation of French industry. However, in Franju’s hands it became an ode to fire and a fascinating portrayal of industrial architecture.Read More »

A twelve part serial following the adventures of the masked vigilante Judex as he fights against criminals led by the corrupt banker Favrauxom.Read More »

Synopsis:
Femme fatale Madeleine Robinson is married to Raymond Aimos, a coal miner with a face like a pickled walnut and a libido to match. She wants some action, and what she can’t get from her impotent husband, she looks for elsewhere, first with his best friend Pierre Brasseur, then with his boss Lucien Gallas, who is also dating Brasseur’s kid sister Odette Joyeux.Read More »

Two men, a painter and a poor guy have to cross over Paris by night during world war II and nazi occupation to deliver black market meat. As they walk along dark parisian streets they encounter various characters and adventures.Read More »

Synopsis:
Claude Autant-Lara’s literally haunting romantic tale Sylvia and the Phantom stars Odette Joyeaux as Sylvia, an imaginative young girl who lives in an old French castle. Fascinated by a portrait of the lover of her deceased grandmother, Sylvia fantasizes about having a romance with the lover’s ghost. On Sylvia’s 16th birthday, her father decides to amuse the girl by having the “ghost” make an appearance, and to that end engages the services of three men–a valet, a ham actor and a burglar–to impersonate the wraith. Though confused by the fact that the ghost seemingly has three distinct personalities, Sylvia nonetheless falls in love with the burglar, the most handsome of the trio. Disillusioned upon learning of her father’s subterfuge, Sylvia is unfortunately unresponsive when the real ghost (poignantly enacted by comedian Jacques Tati) makes a surprise appearance. Unfairly lambasted by American critics as “worthless,” Sylvia and the Phantom has since taken its place in cinema history as one of Claude Autant-Lara’s most beguiling works. The film was adapted from a play by Alfred Adam.Read More »