France

Synopsis
A very personal interpretation, to say the least, of the passion of the Christ According to St. John. (imdb)Read More »

For the past year, Sandra, her husband Samuel, and their eleven-year-old son Daniel have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he was murdered or committed suicide. Samuel’s suspicious death is presumed murder, and Sandra becomes the main suspect. What follows is not just an investigation into the circumstances of Samuel’s death but an unsettling psychological journey into the depths of Sandra and Samuel’s conflicted relationship.

Winner: Palme D’Or- 2023 Cannes Film FestivalRead More »

Synopsis:
‘Barney Morgan is a reporter who works for a French journal. His editor-in-chief Rupert finds his lover Alice murdered. His boss is the main suspect but Barney doesn’t believe his boss could possibly be a murderer. Subsequently he tries to prove the man’s innocence.
Barney suspects Alice’s husband and gathers enough circumstantial evidence to make his point. But the widower’s lawyer can prove he didn’t do it either. Barney concedes he was wrong and commences a new investigation.’
– WikipediaRead More »

Brothers Tony and Noé pass the long sweltering summer days playing games of chance and death – until the accident that will change their lives forever. Ten years later, their paths cross that of Cassandra, their childhood love.Read More »

Anthony Perkins, a young sculptor with a weird penchant for waking up in strange hotels with his memory wiped clean and bloodied hands, invites a former professor (Michel Piccoli) to the Gatsby-like provincial manor presided over by his powerful tycoon father (Orson Welles). Welcomed by Welles’ young wife (Marlene Jobert), Piccoli soon finds a nest of rats beneath the bourgeoisie voluptuousness — a clan bound in a circle of illicit romance, blackmail, faked burglaries and, of course, murder.Read More »

In the 60’s, Alan Quimp (Douglas McGrath) is a school teacher of English grammar and married with the very demanding woman Daisy Quimp (Sigourney Weaver). In order to avoid the constant mockery in Daisy’s family, Alan says that he is a secret CIA agent. Daisy tells everybody, the CIA acknowledges the lie, but due to a coincidence, Alan has just helped and hidden the professional Russian dancer Petrov (Ryan Phillippe) who wanted to leave Russia. The CIA decides to hire Alan as an agent, to get the credits of bringing Petrov to USA, and immediately decides to send him to a very calm place, Cuba. Again due to a fortunate coincidence, Alan disclosures the identity of a double agent (Dennis Leary). Then, Fidel Castro (Anthony LaPaglia) makes the revolution and deposes Fulgêncio Batista (Alan Cumming). Read More »

Synopsis:
‘Léandre Brassac is an ageing veterinary who lives in a large house near to Nantes with his wife Marie, whom he openly despises and frequently abuses. Léandre resents the fact that his wife has failed to bear him any children, and as a result he has become a violent and moody old man, contemptuous of others and all too willing to drown his sorrows in alcohol. Whilst he may loathe people, Brassac shows a remarkable tenderness for animals, especially the dogs who have become his closest companions in his declining years. During one of his night-time excursions to Nantes, Brassac runs into a prostitute named Simone. Concerned by the young woman’s plight, he invites her to live with him and his wife.’
– James TraversRead More »

Anna Masecchia wrote:
With her 16mm camera in hand, the optical prosthesis of a 20th-century flâneuse, Agnès Varda filmed 42nd Street in 1967, shooting a crowdof passersby to the beat of The Doors. Pier Paolo Pasolini is with her, getting lost in the lights, bodies, faces and chaos of a crowded and multicultural New York. Opening in soft focus and closing on Pasolini’s blurred face, the images shot in a direct style and without audio are merged with a dense dialogue between the two artists and intellectuals, which was recorded later. Prompted by Varda, Pasolini reflects on the relationship between reality and fiction, the Christian figurative tradition and the function of audiovisual language in contemporary society. All of which is enhanced by the audio-visual décalage that simultaneously reveals the camera as a device while emphasising the real and political information of the images, which emerges from the background and comes into the foreground. In a matter of minutes,Varda’s art captures Pasolini talking about himself and the essence of cinema as a whole, which for both is an expression of reality itself.Read More »

Judy Bloch, Pacific Film Archive wrote:
Aubignac, a village situated high upon a crag in Provence, suffers the common fate of such enclaves, reduced and abandoned over time. Only three people remain: an old blacksmith, a withered crone, and a middle-aged poacher, Panturle (Gabriel Gabrio). And finally, it is Panturle, alone. Enter Arsule (Orane Demazis), a down-at-the-heels cabaret singer, and Gédémus (Fernandel), an itinerant knife-grinder who has picked her up; now she pulls his cart, like something out of La Strada. Arsule and Panturle team up to revitalize her existence and his land, the welcoming soil of Aubignac. Harvest, based on Jean Giono’s novel, is at once Pagnol’s crudest and clearest statement about humans and the earth: both will decay if left alone. But there is darkness, too—like the grinder whose comic ruses are edged with threat—against which the simple humanity of Arsule and Panturle becomes rather more complex.Read More »