Fantasy

A fantasy romantic comedy that highlights the charm of the city of Onomichi.

A fantasy romantic comedy based on the popular comic by the manga artist, YAMAMOTO Chugaku, supported by the younger generation. The story follows Yohei, a heartbroken young man who gets dumped by his girlfriend. Suddenly, a girl ghost appears in Yohei’s room. As she had never experienced love during her lifetime, she becomes curious about romantic relationships between men and women. She bombards Yohei with questions every day, initially annoying him, and he tries to find a way to exorcise her. However, as he spends more time with her, he begins to feel comfortable with her, realizing she is just like a normal human girl. The film is an all-Onomichi locating, and Cinema Onomichi, which appears in the film as well, highly recommends it, praising the beautiful scenery of Onomichi. They commend the film’s direction and cinematography for showcasing the city’s hidden charms that even the locals might not have noticed, making it an excellent piece of work.Read More »

As demonic forces descend on Argentina, the world’s best hope is confined to an insane asylum, powerless to avert a dark resurrection. The once legendary warlock Antonio Poyju (Germán De Silva) is haunted by the mistakes of his past, and is now reduced to rebelling against orderlies in an institution.

When a malevolent demonic force reveals itself, Poyju must rally a ragtag ensemble of certifiable inmates to spring him from his confinement, so that he can reconcile with his estranged daughter Helena (Lorena Vega) and reunite their magical bloodline to stave off the evil. But the confines of modern life and an unnatural influence has stripped Helena of her belief and cheated the world of her magic. Will Poyju be able to remind his long-lost daughter of her cultural heritage and reignite the magic that has been smothered by corporate life?Read More »

Synopsis:
Maude, engaged to a doctor, was adopted years earlier by the president of an anti-alcoholic league. She becomes infatuated with a Gypsy violinist, who, after kidnapping and restraining the girl’s fiancé takes her to his villa and, to try to make her give in to his coaxing, has some gypsies offer her champagne.

Whilst incomplete and suffering from a certain amount of nitrate decomp – there are around four quite bad bouts of this, if memory serves – enough of the film survives to provide a coherent, if whimsical, narrative with pleasing performances and some charming special effects. There is much to recommend the film stylistically with a good mix of long, medium and close-up shots, some thoughtful shot compositions and several instances where characters exit shot toward the side of the camera, providing a candid feel.Read More »

Quote:
This movie is a declaration of love to cinema that is used as a metaphor for the universe itself. We are the films and God is projecting them, including this one with Rachel and Leopoldo, who in a former life literally co-invented cinema as an assistant of Thomas A. Edison named William K.L. Dickson.Read More »

Quote:
Back in the summer of 2004, a friend from a website I used to review for encouraged me to review Stephen Chow’s movie Shoalin Soccer. Biting the bate, I decided to purchase the disc and give it a shot. I was not disappointed one bit. It was one of the most entertaining movies I reviewed that year. When it was announced that another of Stephen Chow’s movies would be released in the form of Kung Fu Hustle, I couldn’t wait to get my hands on it. After viewing this on DVD, I came to the conclusion this man is absolutely brilliant, in that he was excellent at using special effects and wire work in such a unique and interesting way. Instead of using special effects as an integral part of the story, he uses it to enhance the comedy, to create these outrageous scenarios that are silly and humorous, but at the same time interesting and ingenious.Read More »

A violent, guitar-playing, electrically charged boxer faces off against an electronic wizard half-merged with a metallic Buddha.Read More »

Adolpho Arrietta was a major figure in the new cinemas that appeared in the sixties and seventies in various countries. Thus he became one of the fundamental film directors in the history of Spanish cinema. As with Buñuel, a long exile seems to have been the condition that allowed his work to keep up with the most important trends in the cinema of his era. Throughout the seventies he produced a series of “punk à la française” films, as Severo Sarduy called them, which for their originality and influence are among the most important in French cinema of that decade. In 1989 he returned to Madrid, and despite noteable intervals, which other Spanish film directors of his generation also experienced, his work proceeded. Alone, like in the era of El crimen de la pirindola but with a digital camera, he produced what for the moment is his latest film: Vacanza permanente (2006).Read More »

Thomas Lemercier on Cineuropa wrote:
Pierre is a Parisian in his fourties whose life consists of his morning coffee in a run-down apartment, his phones, his keys, his computer on the train, page 9 of the fourth version of a file, then a demonstration of robotics to some clients, in English. But through the window, are emerging the outlines of a new journey, of a recovery (he does not yet know how radical it will be), of his existence. These outlines are the snow-capped peaks and the glacier where Thomas Salvador sets the scene (and a tent) for his second feature film, The Mountain [+], revealed in the Directors’ Fortnight at the 75th Cannes Film Festival. Read More »

Set during a smallpox epidemic in the village of Gimli, Manitoba near the turn of the century, TALES FROM THE GIMLI HOSPITAL (1988) is a dreamlike, elliptical film which explores the jealousy and madness instilled in two men who share a hospital room “in a Gimli we no longer know.” Zeitgeist Films and Films We Like in Canada present a brand new 4K remastering of TALES FROM THE GIMLI HOSPITAL REDUX by Guy Maddin, which had its world premiere at the 2022 Toronto International Film Festival (TIFF). The new 4K digital remaster was supervised by Guy Maddin using original printing elements provided by the TIFF Cinematheque Library and includes the replacement of a long-lost scene. Maddin’s highly acclaimed first feature, released in 1988, is now regarded as one of the true cult hits on the midnight movie circuit.Read More »