Experimental

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How Little We Know of Our Neighbours is an experimental documentary about Britain’s Mass Observation Movement and its relationship to contemporary issues regarding surveillance, public self-disclosure, and privacy. At its center is a look at the multiple roles cameras have played in public space, starting in the 1880’s, when the introduction of the hand-held camera brought photography out of the studio and into the street. For the first time one could be photographed casually in public without knowledge or consent. Mass Observation used surreptitious photography to record and scrutinize people’s behavior in public places. Mass Observation was an eccentric social science enterprise founded in the late 1930’s in England that combined surrealism with anthropology. Read More »

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The Wet Ones is like The Mr. Bill Show on crack, and that is entirely on purpose. Using the tagline “a movie made by maniacs, for maniacs,” this psychedelic, action figure starring, splatterfest more than lives up to it. It is written and directed by musician/filmmaker Wigwolf, who plays guitar while wearing a werewolf mask, long, flowing wig, and a tutu. It features homemade sets with hand-mutilated dolls having adventures and stabbing each other in the p***y.
One doll featured prominently has a red shock wig and an enormous hard-on and goes by Doctor AIDS (Wigwolf). It also has a Katy Perry doll that gets into all sorts of peril. Her adventures include being attacked by one of the sisters from Jack Hill’s Spider Baby (Rachel Alig) before fighting against the evil corporate influence of Titanic Sinclair. There is also Bunnula the vampire rabbit, Elvis at the disco (Morris Slater Diamond), Joan of Arc (Lauren Barrett), and J.R. Jickenjacker (Jamie Robert MacDougall).Read More »

“Pasolini Pa* Palestine is an attempt to repeat Pasolini’s trip to Palestine in his film, Seeking Locations in Palestine for The Gospel According to Matthew (1963). It adapts his script into a route map superimposed on the current landscape, creating contradictions and breaks between the visual and the audible, the expected and the real. The video explores the question of repetition. For Heidegger Wiederholung ‘repetition, retrieval’ is one of the terms he uses for the appropriate attitude toward the past. Read More »

In Andrea Luka Zimmerman and Adrian Jackson’s freewheeling kaleidoscopic film Here for Life, place is again of paramount importance. We’re in Hackney in rapidly gentrifying east London, full of fenced-off, securitised spaces where the large cast of marginalised real-life characters the directors have assembled must endure the pain of displacement together with other day-to-day difficulties – recovery from addiction, domestic violence, isolation, terrible life losses.Read More »

Synopsis
The short film “La vie nue” (The Bare Life) is based on Virus, a series of pictures taken by Antoine d’Agata in the streets and the hospitals during the lockdown caused by the COVID-19 pandemic.Read More »

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The contents of a black briefcase lead us into a superficially well-ordered life in West Germany in 1970, in a city that can be seen as representative of the entire country. In this briefcase: the meticulous documentation of an affair between the small business owner Hans and his secretary Monika.Read More »

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Here the codes are both amplified and distanced by an expressionist plastic that for the first time perhaps in Expressionism, takes humor into account. Some very close-ups of flowers, insects, are reminiscent of the prose of a Caillois that I did not know until this film equivalent cinema. There is a double movement in this film. At the same time, a sort of restraint of the plans and a bulimia, a frenzy to film, perhaps this is what mainly troubles us and takes us into a way of seeing that was unknown to us.Read More »

Synopsis
Perrone returns with a new exploration of his quintessential aesthetic territory, Ituzaingó. This time the night in the western city exudes cinema and theatre. Actors, actresses, directors and producers parade like daffodils from the underworld in a world of jealousy, hypocrisy, idiocy and much more.
(FILMAFFINITY)Read More »

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The long way around the barn never looked so good. Larry Gottheim composed BARN RUSHES from eight tracking shots tracing the same arc around a barn in different conditions. The fact that nothing changes makes it all the much more apparent that everything does: a meditative approach that Tony Conrad described as “a textbook of atmosphere, camera vision and lighting, as they relate personal concept to purely visual relationships.” The simplicity of the film’s structure echoes the functional design of the barn while simultaneously suggesting a distinctly cinematic equivalent to Claude Monet’s serial views of Rouen Cathedral. – Max GoldbergRead More »