Quote:
„SCHAUPLÄTZE was my first short film. But it got lost somehow. However, two leftover shots remained and became the first two shots of SAME PLAYER SHOOTS AGAIN. They form some kind of prelude. The rest of the film, after the title consists of a three minute shot repeated five times, like the five balls in a pinball machine. It was shot in black and white and then repeated five times, dyed in a different color each time. It did not really turn out a color film. Just a bit of blue, red, yellow and green along the road.” – Wim WendersRead More »
Experimental
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Wim Wenders – Same Player Shoots Again (1968)
1961-1970ExperimentalGermanyShort FilmWim Wenders -
Péter Lichter – Pure Virtual Function (2015)
2011-2020DocumentaryExperimentalHungaryPéter LichterPure Virtual Function is an abstract meditation on the representation of violence, the connection of virtual and real agression. The film was made from painted 35 mm film strips and sound recording from Iraq war.Read More »
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Lacasinegra art collective – Pas à Genève AKA Not in Geneva (2014)
2011-2020DocumentaryExperimentalLacasinegra art collectiveSpain
In September 2009 we formed a collective and we called us lacasinegra. We didn’t know exactly how, or in which way, but we just knew we wanted to make films. In our way we did different projects, audiovisual pieces, and a blog in which we thought, argue, and call into question ourselves. Us and the others. Pas à Genève is our first feature film but it is also the conclusion of this path, of the doubts that struck us as a collective, as filmmakers and as members of our generation.Read More »
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Nicky Hamlyn – Nicky Hamlyn- Selected Works (1974-2012)
ExperimentalNicky HamlynUnited KingdomVideo Art
Quote:
Nicky Hamlyn is one of the UK’s key artist filmmakers of the past 30 years, working in 16mm film and video, he has produced a large body of both single screen work and installations in both media. His current practice has two distinct concerns, based on the medium he is using. In much of the film work he has been concerned with developing structures that are derived as closely as possible from the form of the subject matter. In recent years the subjects have been predominantly architectural, but also topographical. He often works frame by frame, in the manner of an animator, and this approach acknowledges the importance of the individual frame as a building block for bigger structures. The aim in establishing a reciprocal relationship between the film frame, the framing edges and the subject’s formal properties, is to eliminate subjective decisions about framing and allow given parameters to have a determining effect. Much of the video work, by contrast, explores the spontaneous interactions between complex events, such as the swirling movements of layers of net curtain, and the video technology used to record process the data it receives. This DVD makes available for the first time his major film and video works from the past 38 years and is accompanied by new essays by Simon Payne and Federico Windhausen.Read More » -
Luke Fowler – Cézanne (2019)
2011-2020ExperimentalLuke FowlerUnited Kingdom

Shot in and around the studio and garden of the painter Paul Cézanne in Aix en provence and also on the mountain Saint Victoire; the focus of a long running series of paintings made between 1882-1906. Soundtrack by Toshiya Tsunoda.Read More »
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R. Bruce Elder – Lamentations a Monument for the Dead World (1985)
1981-1990CanadaExperimentalR. Bruce Elder

Quote:
MONOGRAPH is pleased to present a new restoration of R. Bruce Elder’s epic 1985 film Lamentations: A Monument to the Dead World. The restoration was undertaken as part of a larger project to restore and preserve Elder’s monumental film cycle The Book of All the Dead, by filmmaker and scholar Stephen Broomer and the Gatineau Preservation Centre. Lamentations has a total running time of 435-minutes and is composed of two parts. Part one: The Dream of the Last Historian (195-minutes) will commence at 1:00pm followed by an evening intermission. The film will resume at 6:00pm with part two: The Sublime Calculation (240-minutes). There will be an encore presentation on Saturday April 6, 2019, at the Southern Alberta Art Gallery in Lethbridge.Read More » -
James Benning & Bette Gordon – The United States of America (1975)
James Benning1971-1980Bette GordonExperimentalUSAQuote:
A true masterpiece of 70s cinema, more remarkable today than ever before. A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from New York to Los Angeles. The space within each frame is at the same time continuous and elliptical.Read More » -
Maxime Martinot – Les Antilopes AKA Antelopes (2020)
2011-2020ExperimentalFranceMaxime MartinotPolitics‘One day, on the Moroccan shores, one hundred and fifty years ago, thousands of antelopes together threw themselves into the sea.’ – Marguerite DurasRead More »
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Pierre Moretti – Graphic Variations on Telidon by Pierre Moretti (1979)
1971-1980AnimationCanadaExperimentalPierre MorettiQuote:
The Telidon System is a telephone communication process which enables the exchange of visual information.Read More »




