Malcolm Le Grice wrote:
Little Dog For Roger is made from some fragments of 9.5 home movie that my father shot of my mother – myself, and a dog we had. This vaguely nostalgic material has provided an opportunity for me to play with medium of celluloid and various kinds of printing and processing devices. The qualities of film the sprockets the individual frames the deterioration of records like memories, all play an important part in the meaning of this film.Read More »
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A man rescues a boy and later tries to get him off his back but to little avail, so they end up drifting around a subterranean world, populated by grotesque masked figures. A hundred years after Chaplin filmed his first feature film, The Kid, Norbert Pfaffenbichler offers an experimental punk-style interpretation, which the filmmaker himself has defined as a dystopian slapstick film.Read More »
The buzzing of an electric razor is replaced by Om chanting as a sharp-looking man gets ready.
Gary Davis wrote:
This four minute film explores our response to stereotypes – aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear.
Peter Kubelka, ‘What is Film’ lecture series, National Film Theatre, London 2001, wrote:
This is hardcore cinema.Read More »
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A satirical exploration of the origins of humor that moves between the absurd and the deadly serious.Read More »
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(…) one and four screen versions (…)
Threshold is based on a small number of component sequences. It begins with abstract colour fields filling the whole screen then develops through other simple abstract images created by accidental exposure of film stock – edge fogging. The main image of the film is of border guards at a frontier post.
The film explores a range of film printing techniques using colour filtering, mattes and multiple superimpositions. It also includes a short section of computer generated abstract animation made at the Government Atomic Energy Laboratory in Britain in 1969.Read More »
Synopsis:
It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES […] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.Read More »
Hotel Room (also called David Lynch’s Hotel Room) is an American drama anthology series that aired for three half-hour episodes on HBO on January 8, 1993, with a repeat the next night. Created by Monty Montgomery and David Lynch (who directed two episodes), each drama stars a different cast and takes place in hotel room number 603 of the New York City-based “Railroad Hotel”, in the years 1969, 1992, and 1936, respectively. The three episodes were created to be shown together in the form of a feature-length pilot, with the hope that if they were well received, a series of episodes following the same stand-alone half-hour format would be produced later. Following a negative to lukewarm reception, HBO chose to not produce more episodes.Read More »
Synopsis:
The second in Larry Gottheim’s ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker’s own words, “a celebration of elusive relationships” between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson’s widow Angelina and the camera’s illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.Read More »
Malcolm Le Grice wrote:
The film is based on the simple practical joke played by a little boy on the gardener. The boy stands on the water hose, the gardener looks down the nozzle to find the obstruction, the boy steps off the hose and the gardener is soaked. My remake adds a number of new features – there is a third character, the woman of the house – is she also the lover? The boy is now a girl dressed as a boy and the whole sequence of events is repeated four times.Read More »