Experimental

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A personal interpretation of the poetry and letters of T S Eliot. The Waste Land explores the ambiguities of language and space in a scenario built around an anagram.Read More »

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A man uses different words to describe an amphibian as the film evolves.

Fred Camper, Chicago Reader 2001, wrote:
London artist John Smith uses light-hearted humour to explore theoretical concerns – Gargantuan, for instance, is both pleasantly silly and acutely conscious of how imagery depends entirely on its framing.

Elaine Paterson, Time Out 1992, wrote:
A wonderfully witty example of how to conduct pillow talk with a small amphibian.Read More »

Synopsis
This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil’s colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner.
Be aware that the film’s final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.Read More »

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Lost Sound documents fragments of discarded audio tape found on the streets of a small area of East London, combining the sound retrieved from each piece of tape with images of the place where it was found. The work explores the potential of chance, creating portraits of particular places by building formal, narrative and musical connections between images and sounds linked by the random discovery of the tape samples.Read More »

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The destruction of a home for the building of a road is captured and contrasted with quotations from the residents.Read More »

DESCRIPTION
In the 15th century, in Portugal, a group of monks built a wall around a forest and prevented the entry of women. But the hands of the living cannot control everything: in the invisible world, where night reigns and only souls light up the forest, women have built their kingdom of invisibility, without walls.Read More »

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Surrealistic and strange, cast in grainy 16mm images, the film VISITATION allows an imaginary glimpse into the aura of “an outer-world night”. . . the visions in the film are summoned from the film maker’s imagining of a mythical eternity which is beautiful but fraught with pain, exposed by the ether voices and figures which inhabit the eternal ballet beneath our consciousness. “’My mood at the time had served to aggravate those deeply inhuman and most terrible beings when they came with total abandonment from where they had lurked amongst the stones and wet woods”… With these lines, VISITATION unwinds through a hand painted heavenly hell of unending life and death; steeped in the alchemical and inner dream life the film explores a black and white landscape of gothic figures who enact evolving metaphysical dramas.
Want to screen this film?Read More »

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One time you find yourself in a park, on a bench, looking into space, and for a second you forget which country you are in, whether it’s morning or evening; you are pierced by a pang of loneliness, your heart becomes light and sad, what is important separates out from all the noise of the world, and the slipping, sliding shadows fill with meaning profound… Words come to mind…

“South. Border” is my present to myself, a little window to the house I will never be able to build, a house of silver and light.Read More »

In this film, Venezuelan director Diego Risquéz has focused on the life of South America’s famed libertador, Simón Bolívar. He explores the episodes in Bolívar’s life and tragic death by using images alone (no dialogue), a technique that makes his subject matter quite abstruse. Only viewers already familiar with the legend of the man and the early history of Venezuela will recognize many of the symbols and the storyline. ~ Eleanor Mannikka, RoviRead More »