Experimental

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A classic underground film made in 1968, it is divided into three parts, the Opium Dream, Shaman, & Heavenly Blue Mylar Pavilions. A unique film by the originator of mylar photography.Read More »

Makoto, a youth bound to the slums of Osaka, murders brutally and often, hoarding the entrails he collects atop his rooftop shelter.Read More »

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Considered by Whitehead to be his most important film, The Fall is an extraordinary piece of filmmaking, an extremely personal statement on violence, revolution and the turbulence within late sixties America. Filmed entirely in and around New York between October 1967 and June 1968, it features Robert Kennedy, The Bread and Puppet Theater, Paul Auster (fresh-faced as a Columbia student), Tom Hayden, Mark Rudd, Stokely Carmichael, H. Rap Brown, Arthur Miller, Robert Lowell, Robert Rauschenberg and The Deconstructivists. Richard Roud, co-director of the New York Film Festival wrote of the film, “…an attempt to come to grips with today, both in terms of its content as well as of its form.”Read More »

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Maverick British gay director Derek Jarman’s last film is a wordless compilation of his home movies from 1970 — six years before his debut feature “Sebastiane” — to 1986, set to a Brian Eno score. Footage ranges from casual snippets of home life to behind-the-scenes set footage, along with appearances from famous friends like William S. Burroughs and the Sex Pistols. As the years progress, the spread of AIDS begins to decimate Jarman’s social circle.Read More »

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Uomini, anni, vita (People, Years, Life) is an allegorical film about the subservience of the people of the Caucasus (both Christian and Muslim alike) in general and Armenians in particular by the Soviet State. Mother Russia even makes on appearance in the beginning of the film in the form of a Saint, with all the Caucasian peoples being made to bow down to her.Read More »

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This experimental film is a study of an abstract painting as it grows out of the mind and soul of the artist and filmmaker. Painstakingly hand-painted in a Impressionist pixel-point style over a period of 9 months (!), and equally laboriously stop-animated, Fischinger captures not only the wonderful decision-making process of the artist at work, but the “life” that the work itself takes on as it changes and grows. Use of color, patterns, and pacing compliment and clash with one another before the viewer’s eyes and lead one into an impossible world that seems none-the-less real, and all the more engaging for seeming to just be made of pure MAGIC!Read More »

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Animated to the lively accompaniment of Brahms’ Hungarian Dance No. 5, and created using thousands of handmade black & white charcoal drawings, Fischinger’s delightfully dynamic short film sees dozens of white shapes dance, glide, shoot, and pop across a stark black background, leaving us transfixed in their wake.Read More »

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The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. – Hans Scheugl and Ernst Schmidt, Jr.Read More »

Standing apart along the northeast shore of the Great Salt Lake is a huge earthworks project, boulders and potholes, clinging brine and mirrored sky, which the film documents, as it moves back geologically to dinosaur history.Read More »