Drama

Elena and Vladimir are an older couple, they come from different backgrounds. Vladimir is a wealthy and cold man, Elena comes from a modest milieu and is a docile wife. They have met late in life and each one has children from previous marriages. Elena’s son is unemployed, unable to support his own family and he is constantly asking Elena for money. Vladimir’s daughter is a careless young woman who has a distant relationship with her father. A heart attack puts Vladimir in hospital, where he realizes that his remaining time is limited. A brief but somehow tender reunion with his daughter leads him to make an important decision: she will be the only heiress of his wealth. Back home he announces it to Elena. Her hopes to financially help her son suddenly vanish. The shy and submissive housewife then comes up with a plan to give her son and grandchildren a real chance in life.Read More »

A film about the early part of the French Revolution, shown from the eyes of the citizens of Marseille, counts in German exile and, of course, the king Louis XVI, each showing their own small problems.Read More »

Quote:
Ingmar Bergman’s Shame is at once an examination of the violent legacy of World War II and a scathing response to the escalation of the conflict in Vietnam. Max von Sydow and Liv Ullmann star as musicians living in quiet retreat on a remote island farm, until the civil war that drove them from the city catches up with them there. Amid the chaos of the military struggle, vividly evoked by pyrotechnics and by Sven Nykvist’s handheld camera work, the two are faced with impossible moral choices that tear at the fabric of their relationship. This film, which contains some of the most devastating scenes in Bergman’s oeuvre, shows the impact of war on individual lives.Read More »

A woman believes she is beginning to lose her mind when she begins seeing ghosts and spirits.

As a comment on religious repression, familial ostracism, and subliminal incestuous urges, this film might have some value.Read More »

Cardoza’s death, a candidate for mayor of a village chief enemy and Rosauro Castro, leads to Mr. Garcia Mata to undertake an investigation. Upon arriving realizes that even the whole town, including the mayor, lives in fear by the chief and only achieved revenge end the injustices committed by Rosauro Castro.Read More »

Synopsis:
A couple uses extremely black comedy to survive taking care of a daughter who is nearly completely brain dead. They take turns doing the daughter’s voice and stare into the eyes of death and emotional trauma with a humor that hides their pain.Read More »

“”People living near a by-station, sincerely envied passengers of the passing trains. Arina, a homely lonely woman of about 40 was a cook at the station. Once the pointsman Gomozov dropped in to see her in the kitchen. The lonely man had recently lost his family and asked her to sew a couple of shirts for him. And then he asked her to come to his place in the evening to have some tea and talk just out of boredom. Arina left him at daybreak. But soon people at the station learnt about their relationship…”” kinoglaz.frRead More »

Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights.Read More »

Quote:
Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.

Fernando F. Croce wrote:
Gregg Araki once described Totally F***ed Up, his follow-up to the 1992 New Queer Cinema staple The Living End, as a “rag-tag story of fag-and-dyke teen underground…a kind of cross between avant-garde experimental cinema and a queer John Hughes flick.” The statement attests not only to Araki’s committed radicalism, but also to his sense of how the politics of pop culture play to alienated youth. He probably loved a rave from a San Francisco paper hailing the film as “a ‘90s version of The Breakfast Club.”Read More »