Drama

From IMDB:
In ‘Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950’s New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner’s music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near.Read More »

Adapted from a short story in Murakami Haruki’s “Men Without Women”. A director’s wife was a playwright, but she died two years ago. When he’s invited to direct a play at a festival in Hiroshima, the director finds his chauffeur to be a stoic woman. The two share many rides, and as communication is initiated secrets and confessions are gradually exchanged.Read More »

Quote:
The situation is ordinary enough: a woman (Nora Aunor) falls in love with a man (Dennis Roldan). To say that she “loves” him, however, is an oversimplication, because he is a retardate. What she feels is a mixture of pity, sympathy, maternal love, and -of course sexual love for him. On the other hand, though a mere child as far as his brain is concerned, he is physically grown-up, as portrayed in a clever drunken scene where he mimics raping the mistress of a neighbor. There’s no doubt about it: Mario O’Hara is a major director. In Bakit Bughaw ang Langit?, he tackles the same basic situation Lino Brocka deals with in Bona. In the comparison Brocka suffers. Where Bona fails, Bakit Bughaw ang Langit? succeeds.
– Isagani Cruz, Movie TimesRead More »

A yakuza film epic about a man and a woman establishing a family of longshoreman, centering on their love and struggle.Read More »

A young woman working in a bar is pushed into prostitution by her violent yakuza boyfriendRead More »

The greedy nephew of eccentric Matilda Reed seeks to have her judged incompetent so he can administer her wealth; but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?Read More »

In a former mining town in North Ossetia, a young woman struggles to escape the stifling hold of the family she loves as much as she rejects.

Unclenching the Fists (Russian: Разжимая кулаки) is a 2021 Russian drama film directed by Kira Kovalenko, a graduate of Alexander Sokurov’s workshop.The film won the Un Certain Regard award at the 2021 Cannes Film Festival.
Official submission of Russia for the ‘Best International Feature Film’ category of the 94th Academy Awards in 2022.Read More »

“Every generation needs Ibsen” says Bo Widerberg and presents his version of the classic drama “The Wild Duck” from 1884. As in a thriller we get to follow how the family happiness of the Ekdahls is driven towards a tragic disintegration.Read More »

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.Read More »