Is life all downhill after college? A group of recent grads, all friends from school, face the ups and downs of the real world, bonded together by the memories of their youth, in this drama.Read More »
Drama
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Bhandit Rittakol – Hong 2 Run 44 AKA Class 44 (1992)
Drama1991-2000Bhandit RittakolThailand -
Morteza Farshbaf – Soog AKA Mourning (2011)
2011-2020DramaIranMorteza FarshbafPLOT: A violent quarrel breaks out between a couple at midnight. Being at a relative,s house in the north of Iran, they depart for Tehran in the middle of the night, but they do not bring along their son. Something terrible happens on their way…Read More »
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John Woo – Chi bi AKA Red Cliff (2008)
John Woo2001-2010ActionChinaDramaQuote:
John Woo displays the crucial distinction in the magnificently told Red Cliff, the Hong Kong director’s triumphant return to Chinese film after 16 years in Hollywood” and “with Red Cliff, Woo shows he’s still a masterful director to be reckoned with.Read More » -
Kinuyo Tanaka – Ogin-sama AKA Love Under the Crucifix (1962)
1961-1970DramaJapanJapanese Female DirectorsKinuyo TanakaRouven Linnarz wrote:
Although she would go on to make feature films as an actress, Kinuyo Tanaka’s last project as a director would be the 1963 jidaigeki “Love Under the Crucifix”, a work based on the novel “Ogin-sama” by Toko Kon. At the same time, given her development as a filmmaker, this is truly an interesting climax to a career which saw her progressing more and more, developing her skills, especially when it comes to cinematic storytelling. Additionally, the themes that defined her previous works such as “Love Letter” and “Forever a Woman” also found a fitting conclusion in a feature that, even though it was not set in the present as her other movies, it certainly made a very relevant point about gender roles within Japanese society as well as the conflict between duty and desire as expressed in the story of the main characters.Read More » -
Moumen Smihi – El ayel AKA A Muslim Childhood (2005)
2001-2010African CinemaArthouseDramaMoroccoMoumen SmihiThis film, the first in what has become a semi-autobiographical trilogy for Smihi, follows the everyday experiences of Mohamed-Larbi Salmi against the changing Moroccan society. In 1950s Tangier, Larbi Salmi is a young, timid, pre-teen, boy, trying to make sense of the gentle religious upbringing of his father, the secular education offered him in French school, and his budding desires for the forbidden pleasures of the cinema and the women he meets through it. All the while the film offers a tapestry of fifties Tangier, an international zone marked by the influence of Arab, Berber, European and American histories. ‘This film is dedicated,’ Smihi has stated, ‘to all those in the Arab world who cry out, “long live our freedom, all of our freedoms.”’Read More »
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Denis Côté – Un été comme ça AKA That Kind Of Summer (2022)
2021-2030CanadaDenis CôtéDramaThree hypersexual women spend 26 days in a quiet house by the lake. They are Léonie (serious), Eugénie (impulsive), and Gaëlle, a.k.a. Geisha (flirtatious). They are all there voluntarily, and the motto of the undertaking is that “hypersexuality is not a disease.” The aim of this experiment is not to heal but rather to enable a frank exploration of different experiences, forms, and extremes of desire. If you are familiar with Côté’s work, you may have learned not to expect ready-made answers or to be hit over the head with a message. Côté assembles a remarkable ensemble of performers in a film that asks more questions than it answers. That Kind of Summer had its world premiere in the Berlinale’s Competition section.Read More »
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Aleksandr Dovzhenko – Ivan (1932)
Aleksandr Dovzhenko1931-1940DramaPoliticsUSSRA young farmer and his lazy father try to help with the construction of the Dniprohes, but he learns that strength is not enough for a worker and joins the Communist party.Read More »
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Aleksandr Dovzhenko – Proshchay, Amerika! AKA Farewell, America! (1949)
Drama1941-1950Aleksandr DovzhenkoPoliticsUSSRA remarkable rarity, Dovzhenko’s unfinished final film was a response to the atmosphere of intrigues and espionage – real or imagined – that dominated the early Cold War era. In protest of the intensifying postwar anti-communist witch hunt, American journalist Annabelle Bucard emigrated to Russia and became a Soviet citizen; her book, The Truth About American Diplomats, was published in English and Russian in 1949. That book, and aspects of Ms. Bucard’s life, formed the basis for FAREWELL, AMERICA. Shortly after the Allied victory, an idealistic “Anna Bedford” gets a job in Moscow at the U.S. Embassy, which she promptly discovers is crawling with spies.Read More »
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Conrad Rooks – Chappaqua (1966)
1961-1970Conrad RooksCultDramaUSASummary:
Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran.Read More »









