Drama

Machisu is a painter. He never had the success he thinks he is entitled to. Regardless of this, he always remains trying to be successful. His wife Sachiko keeps supporting him, despite all setbacks.Read More »

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To explain to his students the atmosphere in the 1930’s Nazi-Germany, history teacher Burt Ross initiates a daring experiment. He declares himself leader of a new movement, called ‘The Wave’. Inspired, he proclaims ideas about Power, Discipline and Superiority. His students are strikingly willing to follow him. Soon the entire school is under the spell of ‘The Wave’. Anyone who refuses to be a part of the Movement, faces threats or worse. Ross himself gets carried away by his own experiment. Or has it turned into something more than an experiment? A climax is unavoidable, resulting in a hard lesson for both Ross and his students…Read More »

A pitcher on a major-league baseball team finds out that his catcher is desperately trying to hide something, he is dying of a terminal disease and he doesn’t want the owner to find out and fire him.Read More »

The lives of Dashiell Hammett and Lillian Hellman are set against the golden era of Hollywood, HUAC and the issue of McCarthyism of the 1950s. This intimate look at the lives of two of this century’s literary titans follows their tumultuous affair, drinking bouts, career highs and lows, and activities in support of left-wing causes including Hammett’s public avowal of Communism and his membership in the Communist Party and Hellman’s sympathies for the Stalinist regime in the Soviet Union before World War II. Bebe Neuwirth also appears as socialite-writer Dorothy Parker.Read More »

Paris, je t’aime is about the plurality of cinema in one mythic location: Paris, the City of Love. The filmmakers have five minutes each; the audience must weave a single narrative out of eighteen moments. The moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There’s a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.Read More »

This chamber drama is set in Georgia on the turn of the 19th and 20th centuries. A simple peasant family makes its living by selling yogurt which the Magdany widow takes every morning to the town market. Once, in their mother’s absence, the children – six-year-old Mikho and three-year-old Kato – found an abandoned donkey on a road leading to their village. The foundling was fed, tended, and the moment the donkey opened its big, tender eyes, it was named “Lurdja”, which means “blue-eyed”. Surrounded by love and care, the donkey became a big help in the poor household. But this idyll was not to last long…

Winner – Palme d’Or, Cannes IFF, 1956Read More »

From Klassiki:
One of the first films from Eastern Europe to explore the lives of the Roma in sympathetic detail, and to cast Romani-speaking Roma in order to do so, Aleksandar Petrović’s Cannes-winning classic builds a complex and humanistic narrative out of the misery of life in a Vojvodina village. Ill-fated romance leads the central trio of swaggering, mean-spirited Bora (Bekim Fehmiu), folk singer Lenče (Olivera Vučo), and young beauty Tisa (Gordana Jovanović) through a whirlwind of unforeseen circumstances, captured in striking colour and intricate period detail. Aleksandar Petrović was always the most accessible of the directors who made up Yugoslavia’s “Black Wave” avant-garde in the 1960s and ‘70s, and this tribute to unruly freedom is his most populist work.Read More »

Daphne’s life is peaceful. She has solid marriage with a successful lawyer, two charming children and a nice local bookshop. Recently her father passed away and left her a good deal of money, but besides that it’s the same old routine. This routine is about to abruptly change when Daphne befriends with Ami.Read More »

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The most daring and achieved of all the ‘illegal’ independent films made in China in the ’90s – and quite probably the last, since it prompted the Film Bureau to formally outlaw unauthorised production and confiscate the directors Zhang Yuan’s passport.Read More »