Set in Tokyo seven years after the end of WWII, this surreal story revolves around the dreams and realities of a young boy who strays into a strange mansion while out chasing fliers dropped by a small aeroplane. Confined inside are four adults suffering from an incurable disease (‘porphyria’, which the author avoids specifying by name in the screenplay) which prevents them from having exposure to the sun.Read More »
A landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. The farmer does not reform his ways and is soon chasing after the young manager’s wife, the woman he dropped not that long ago. The results are disastrous.Read More »
PLOT:
The attempted suicide of his fiancée prompts a Japanese salary-man to read his family chronicles and look back at the life of his ancestors. They were samurai, the military nobility caste who carried out acts of violence at the behest of feudal lords, but suffered even more so under their cruelty, often forced into ritual suicide (seppuku). The women were under constant threat of kidnapping and rape, and the men subjected to arbitrary disfigurement and homosexual slavery … In a radical departure from the usual romanticisation of the samurai, director Tadashi Imai – using period sets and sometimes graphic images – made a film fundamentally critical of medieval Japan’s feudal system and the inhumane samurai code called bushido. In addition, the final two of the eight episodes in the film draw parallels between that and kamikaze pilots of World War II, as well as Japan’s modern achievement-oriented society. Bushido zankoku monogatari was awarded the Golden Bear at the 1963 Berlin International Film Festival.Read More »
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In East Berlin in the late 70s, two boys meet one evening in a disco: Thomas, who is from a working class family and is doing an apprenticeship, and Michael, a 16-year-old school pupil from an educated middle-class family. They both miss the tram home and walk together instead, ending up at Michael’s house where they discuss God and the world into the early hours. Following this encounter the two boys enter into an unusual friendship, united by their mutual desire to get away from the phoniness, the limitations and the restrictions of their parents and of society.Read More »
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With The Deep Blue Sea, Terence Davies selectively transforms a lesser-known Terence Rattigan play into a broody rumination on emotional freedom and frustrated desire. Davies abandons Rattigan’s linear narrative and compressed timeline in favor of a more free-form structure, one that underlines the ebb and flow of memory as it shuttles between past and present. At the same time, The Deep Blue Sea confirms Davies’s continued engagement with the period melodrama—in this case, the variety of “woman’s picture” exemplified by the doomed romanticism of David Lean’s Brief Encounter, a touchstone that The Deep Blue Sea on several occasions blatantly references. Set against the backdrop of post-WWII Britain, a dowdy period of rationing and reconstruction, The Deep Blue Sea hinges on the seemingly irresolvable predicament of its heroine, Hester Collyer (Rachel Weisz). Trapped within the confines of a passionless marriage to older, well-to-do Sir William (Simon Russell Beale), Hester vainly seeks satisfaction in an ardent affair with young, impulsive Freddie Page (Tom Hiddleston). Absorbed in memories of his carefree pre-war days, Freddie ultimately cannot return Hester’s affection, and their relationship soon degenerates into noisy rows and mutual recriminations.Read More »
Plot / Synopsis
In the midst of World War II, the renowned playwright Noël Coward engaged a young film editor named David Lean to help him realize his vision for an action drama about a group of Royal Navy sailors (roles that would be filled by Coward himself, Bernard Miles, and John Mills, among others) fighting the Germans in the Mediterranean. Coward and Lean ended up codirecting the large-scale project—an impressive undertaking, especially considering that neither of them had directed for the big screen before (this would be Coward’s only such credit). Cutting between a major naval battle and flashbacks to the men’s lives before they left home, In Which We Serve (an Oscar nominee for best picture) was a major breakthrough for both filmmakers and a sensitive and stirring piece of propaganda.Read More »
A father who received a dishonourable Army discharge hesitates to get involved with the formation of a youth group.Read More »
Axel Freed is a literature professor. He has the gambling vice. When he has lost all of his money, he borrows from his girlfriend, then his mother, and finally some bad guys that chase him. Despite all of this, he cannot stop gambling.Read More »
This is a portrait of a man and of a country, as he travels through it. He is a travelling salesman, and travels through Switzerland selling cosmetics to beauty parlours.
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