Drama

Luciano is a charming fishmonger whose unexpected and sudden obsession with being a contestant on a reality show leads him down a rabbit hole of skewed perceptions and paranoia.Read More »

The head of a giant European investment bank desperately clings to power when an American hedge fund company tries to buy them out.Read More »

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A Russian outpost in Eastern Siberia comes under threat of attack by the Japanese in this patriotic film from 1935. Aerograd is a new town with a strategically located airfield of vital interest to the government. Work on the new outpost is complicated when tensions develop between workers and a religious sect. The sect threatens to give their support to a band of marauding samurai warriors who battle for control of the region. Relations between the two countries are further strained in the days before World War II, dating back to the Russo-Japanese War of 1905. In this feature, the Russians are victorious as airplanes throughout the country come to the aid of the beleaguered new town. Director Alexander Dovzhenko, long considered a giant in Russian classic cinema, also wrote the screenplay for this feature.Read More »

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A young girl hospitalized with a coma manages to have a relationship with an enigmatic girl

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Asia, an 18 year-old girl, is in the hospital in comatose state. Her mother and her boyfriend, Nathaniel, take care of her. Little by little we’ll see the events that led Asia to the hospital, the relationship with her mother, her girlfriends and her boyfriend, and specially with Eloïse, an enigmatic girl who introduce her in a new world of feelings. With her, Asia will revive a painful episode from her past, a one her mother will not allow to see the light. Finally, Asia will face everybody to be happy in her relationship with Eloïse.Read More »

The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her lover, an American psychology professor. As doctors try to save her life, the detective interrogates the professor, and through flashbacks we see the events leading up to the woman’s overdose; her stormy and intensely sexual relationship with the professor, her heavy drinking and numerous affairs, and her estrangement from her Czech husband. A darkly erotic study of several rather unsympathetic characters. Written by Marty CassadyRead More »

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Mournful Unconcern (Russian: Скорбное бесчувствие, translit. Skorbnoye beschuvstviye) is the third produced film by Alexander Sokurov, completed in 1983, but the fourth released one, as it was banned by Soviet authorities until perestroika in 1987. The film, set during World War I, is inspired by Bernard Shaw’s play Heartbreak House. Professional actors (Zamansky, Osipenko, Sokolova and others) were used alongside amateur actors, like in most early Sokurov films, and many of the trademarks of his cinematographic style were already apparent.
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Young lovers Seyran and Susan meet a tragic fate because of patriarchal prejudices of their parents. Although arranged for marriage in early childhood, and despite youngsters’ love, Barkhudar marries his daughter Susan to another man, as a matter of honour.Read More »

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Conditions are spartan on Dennis Carson’s Indochina rubber plantation during a dusty dry monsoon. The latest boat upriver brings Carson an unwelcome guest: Vantine, a floozy from Saigon, hoping to evade the police by a stay upcountry. But Carson, initially uninterested, soon succumbs to Vantine’s ostentatious charms…until the arrival of surveyor Gary Willis, ill with malaria, and his refined but sensuous wife Barbara. Now the rains begin, and passion flows like water…Read More »

Movie Review
The Children of Heaven (1997)
FILM REVIEW; For a Pair of Sneakers, Longing, Lies and a Plan
By JANET MASLIN

The young hero of Majid Majidi’s ”Children of Heaven” is played by Mir Farrokh Hashemian, a desolate-looking boy with huge brown eyes and a way of sending tears suddenly rolling down his cheeks. Those tears well up with some regularity during this film about 9-year-old Ali, his younger sister Zahra (Bahareh Seddiqui) and their scheme for sharing a pair of his tattered sneakers. The children want to hide the fact that Zahra’s shoes have been lost because this will be a hardship for their parents. The family’s carefully detailed poverty, which reflects the filmmaker’s own childhood experience, colors everything that happens in this story.

Events in the film are seen through the children’s ingenuous eyes, as is so often and artfully the case in Iranian films. (A child’s-eye view is, among other things, helpful in circumventing Government censors.) But in the more honest, less manipulative films that this one resembles — especially the graceful work of Jafar Panahi (”The White Balloon,” ”The Mirror”) — what the young characters observe is liable to be more surprising than it is here. In ”Children of Heaven,” life is sweet despite countless hardships, and no reality beyond the economic intrudes upon a fairy tale atmosphere. Only through heavy-handed emphasis does the quest for new sneakers take on any greater meaning.Read More »