Drama

Synopsis:
Two boys compete for one job they both desperately need.

Awards:
Won – 1992 – Crystal Simorgh Award – Best Film – Fajr Film Festival
Featured in Film Magazine’s Best Iranian film lists of 2009 and 2008
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Quote:
Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing oneself by canceling the existence of another human being is frequently thwarted by the haste and clumsiness of the means, the hot urgency of the killer’s drive overriding his better judgment about the care required to escape detection. His guilt becomes obvious, he gets caught, and that desperately hoped-for happiness flies out the window. Clever murderers—of whom there are, thankfully, many more in fiction and movies than in life—temper their homicidal passion with meticulous calculation, arranging their dark deeds with the tender artifice necessary to make unnatural death look natural. They’re artists, of a sort. And the fact that there is no such thing as a perfect murder or a perfect work of art has never stopped either a murderer or an artist from trying.Read More »

Synopsis :
Upon arrival at a mental institution, a brash rebel rallies the patients together to take on the oppressive Nurse Ratched, a woman more a dictator than a nurse.Read More »

A young teenager returns home after an absence to find his village in Iran deserted because of an incredibly severe drought. He begins a search to find his family, traveling through an amazingly bleak and desolate landscape. Primarily an essay on the issue of humans vs. nature, the film is of interest for technical and cultural reasons.Read More »

Quote:
Two sisters—the sickly, intellectual Ester (Ingrid Thulin) and the sensual, pragmatic Anna (Gunnel Lindblom)—travel by train with Anna’s young son, Johan (Jörgen Lindström), to a foreign country that appears to be on the brink of war. Attempting to cope with their alien surroundings, each sister is left to her own vices while they vie for Johan’s affection, and in so doing sabotage what little remains of their relationship. Regarded as one of the most sexually provocative films of its day, Ingmar Bergman’s The Silence offers a disturbing vision of emotional isolation in a suffocating spiritual void.Read More »

Andrew Brotzmans Maine-set drama Nor’easter is perhaps too glacial for its own good, with the pleasingly wintry photography matching the deliberate pacing. It has secrets buried under its icy surface ? much like Liam Aiken?s young teen Josh, who rocks up at home after running away five years previous ? but I won?t reveal them here. For uncovering the mystery of Josh?s whereabouts in the interim is Nor’easters key pleasure. With largely colourless performances and safe direction, it?s one of the few things to keep Nor’easter from being anything other than middle-of-the-road.Read More »

Synopsis:
Based on a play by Henrik Ibsen. A small forest town is trying to promote itself as a place for tourists to come enjoy the theraputic hot springs and unspoiled nature. Dr. Stockmann, however, makes the inconvenient discovery that the nature around the village is not so unspoiled. In fact, the runoff from the local tanning mill has contaminated the water to a dangerous degree. The town fathers argue that cleaning up the mess would be far too expensive and the publicity would destroy the town’s reputation, so therefore news of the pollution should be suppressed. Dr. Stockmann decides to fight to get the word out to the people, but receives as very mixed reaction.Read More »

Quote:
Liam’s Mum is due to be released from prison in time for his 16th birthday. This time, he is determined that things will be different. He dreams of a family life he’s never had. But first he’s got to raise the cash. It’s not long before Liam and his friends’ crazy schemes lead them into trouble.Read More »

Turkish Cypriot filmmaker Derviş Zaim’s most recent directorial effort, “Gölgeler ve Suretler” (Shadows and Faces) in which he tackles the inter-communal violence his homeland experienced in the 1960s, through the story of a father and daughter.

Shadow and Faces is the coming-of-age story of a young girl who is separated from her father, a Karagöz shadow play master, during the beginning of the conflict between Turks and Greeks in Cyprus in 1963. With a backdrop of extraordinary natural beauty, the experiences of the villagers fleeing from their village in the Island’s Karpas region to the relatively secure but alienating city sheds light on the story of Cyprus.Read More »