Drama

The Midnight Man is one of the eerier and more startling mystery films of its period, sustaining for nearly two hours a mood that veers very carefully between seductive, quiet lyricism and lurking violence and despair. It was something of a tour de force for Burt Lancaster, who not only starred in it, but also co-directed the movie (with Roland Kibbee, who did most of the directing) and co-authored the screenplay, also with Kibbee. The plot is one of the more violent and complex in a mystery of this era, hinged around a series of seemingly unrelated events, starting with a robbery that turns more vicious than it needs to for no good reason, and leading to a series of shootings, bludgeonings, and other mayhem that leaves a bloody stain across its small border-state college-town setting.Read More »

Synopsis by Hal Erickson
Given the usual pedestal upon which mothers were placed by MGM head Louis Mayer, it’s all the more amazing that Mayer gave the go-ahead for Another Language. Louise Closser Hale plays a domineering matriarch who controls the lives of her grown, married sons, using a fabricated heart condition to keep them in line. Helen Hayes marries youngest son Robert Montgomery, only to sit by in mute horror as Mother exerts her authority over her timorous offspring at a weekly family get-together. At the end, only Hayes and Montgomery’s nephew John Beal have the courage to break the apron strings, but not without the formidable opposition of Monster Mom. Based on the Broadway play by Rose Franken, Another Language represented the screen debut of Margaret Hamilton, recreating the supporting role she’d played on stage.Read More »

Quote:
Thomas, a young and talented German baker, is having an affair with Oren, an Israeli married man who dies in a car crash. Thomas travels to Jerusalem seeking answers. Keeping his secret for himself, he starts working for Anat, his lover’s widow, who owns a small café. Although not fully kosher and despised by the religious, his delicious cakes turn the place into a city attraction. Finding himself involved in Anat’s life in a way far beyond his anticipation, Thomas will stretch his lie to a point of no return.Read More »

PLOT & Review:
(Contains some spoilers)

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This film was not based on the famous one-act opera of Pietro Mascagni but rather on the original story by the Sicilian writer Giovanni Verga. It’s the story of Santuzza, her love Turiddu, and his passion for the married Lola that leads to his death in a duel when Lola’s husband Alfio exacts satisfaction. Santuzza’s curse leveled at unfaithful Turiddu, “A te la mala Pasqua!” (“Hope you have a bad Easter!”) is a memorable moment… as it was in Mascagni’s opera.

All Sicilian passion and emotion, the film is shot against authentic Sicilian backgrounds. There are wonderful colorful sequences of villagers riding in decorated traditionally decorated carts. Those scenes are so vivid you almost don’t notice the absence of color in this black and white film. Mount Etna looms in the background, suggestive of the smoking volcanic passions of some of the characters we see living near it.Read More »

Frederic is a young man in social rehabilitation. He has just found a night internship, in an isolated hotel in the mountains when, one evening, he sees his boss, Jacques, together with this son, hiding a car in the parking lot. The day after, he learns that one of the clients left the hotel without notice… (IMDB)Read More »

The story of a legendary director named J.J. “Jake” Hannaford, who returns to Hollywood from years of semi-exile in Europe, with plans to complete work on his own innovative comeback movie, also titled “The Other Side of the Wind”.

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It’s a film about an unfinished film – and it looks as if it may never be finished. The Other Side Of The Wind was made by Orson Welles in the early 1970s. The New York Times published a story in late 2014 suggesting that the film would soon be ready. In 2015, a crowdfunding campaign raised more than $400,000 (£304,000) for the project. Earlier this year, there were reports that Netflix was ready to put up $5m to fund the completion of the movie and to distribute it worldwide.Read More »

Synopsis:
Cecile, decadent young girl who lives with her rich playboy father Raymond. When Anne, Raymond’s old love interest, comes to Raymond’s villa, Cecile is afraid for her way of life.Read More »

Synopsis:
A young widow (Keiko Kaja) becomes an SM call girl to pay off the debts accumulated by her yakuza husband. She’s a depressed woman, merely going through the motions of existence, subjected to every cruel whim concocted by her clients. She’s dedicated to the misery – even finding comfort in it – stumbling through life like a zombie.Read More »

George and Martha are a middle aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha’s father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick and Honey, an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha’s games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha’s unseen sixteen year old son, whose birthday is the following day.Read More »