Drama

Synopsis:
Centaur is a quiet, small and modest man, a loving father of a little boy that has never spoken a word and the husband of young, deaf-mute Maripa. Together they lead a simple life in a small village of Kyrgyzstan. Centaur is above all a respected man among his neighbors, a man beyond any suspicion, but he has a belief deeply rooted inside him. He still believes that Kyrgyz people once united and invincible thanks to their horses, have been punished by Heavens for misusing that power to achieve their mercenary goals; Beyond any suspicion, Centaur becomes a horse thief, as he thinks only a genuine racer riding at night and praying for forgiveness can write off the curse. But his well-hidden secret cannot be kept for long. When the truth shines, he will need to decide the destiny of his family, co-villagers and his own.Read More »

Synopsis: A woman announces her husband that her newborn baby isn’t his. What follows is a simple and powerful sequence of close-ups of a man caught in his mixed emotions and a woman obsessed with the child’s well-being.Read More »

Quote:
Young married couple Tim and Lee have planted the seeds of a family in their East L.A. duplex. Three years after the birth of their son, they’re still adjusting to the joy and pain of life with kid, navigating potty talk at the dinner table, disagreeing over preschools, and putting off doing their taxes. For a change of pace, they decide to house-sit for one of Lee’s Westside yoga clients. Once there, Tim discovers something suspicious in the yard that gets the wheels in his head turning, and Lee, worried that he will become obsessed with digging deeper, decides to drop their toddler off with her mother for a much-needed night out on the town. Sans-wife, Tim invites his buddies over, and a “boys-will-be-boys” scenario ensues, full of drinking, awkward joint-passing, and perhaps getting a bit too close to a girl who isn’t the mother of his child.Read More »

Quote:
The “elefante blanco” (white elephant) in Pablo Trapero’s eponymous film is the phantasmagorical structure of what was to be Latin America’s biggest hospital, construction of which was approved in 1937 and started in 1938. In line with Argentina’s sociopolitical upheaval, the project was never completed and is now home to thousands of outcasts who live among rubble, rats, pollution, illness, crime, deadly drug lords’ feuds.
Trapero’s Elefante blanco, focusing on the painstaking work of two shanty-town priests and a social worker, is a trip through urban hell. Contrary to the barrage of political harangue we are subjected to on a daily basis, Elefante blanco lays out the bare facts: a Third World country playing welfare state but in reality struggling to stay afloat. No other aborted social project could make such a visible, powerful impact as the elefante blanco, palpable proof that not everyone is given the same possibilities to attain social mobility and think ahead to a better future.Read More »

After serving a 12-year sentence for killing a man for sleeping with his wife, a man ponders whether he should try and reconcile with his family, or take revenge on those who turned him in.
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Ostensibly a fast-paced tale about poor people in the Persian Gulf living aboard a sinking oil tanker, “Iron Island” is a galloping fable full of offbeat characters and entertaining moments. At the same time, it doesn’t take much to read this second feature from director Mohammad Rasoulof (“The Twilight”) as a sharp-edged allegory about the country of Iran. Festivals will be happy to sail on its irony and invention, though it may take auxiliary engines to market such a hard-to-classify little gem.Read More »

Tian Zhuangzhuang is perhaps the best known of [the Fifth Generation] for reviving and revitalizing a staple of the Chinese film industry — the “national minority” genre. Made to celebrate the solidarity of the Chinese people under the Communist regime, these films, often made by studios based in the minority areas themselves, showcased the songs, dances, customs, and patriotism of the non-Han community. Stories of liberation, they usually contrast the “backwardness” of traditional life before the Revolution with the benefits of Chinese Communist rule.Read More »

What could have been just another of the countless coming-of-age tracts churned out on the indie-sector conveyor belt each year becomes a deeply nuanced drama full of original angles in Michael Cuesta’s accomplished feature bow, “L.I.E.”

SYNOPSIS
Central character, adolescent Howie (Paul Franklin Dano), is introduced precariously balancing on the expressway overpass, his voiceover recalling the number of lives claimed on the road, from celebrities like Harry Chapin and Alan J. Pakula to his mother years earlier. He barely communicates with his building contractor father, Marty (Bruce Altman), who’s preoccupied with sleeping with his girlfriend and his mounting legal problems over a fire probe into the use of unsafe materials.Read More »

Dysfunctional family and culture run amok in Toilet, which had an absolutely packed house last night at the Toronto Reel Asian International Film Festival and had many of the cast & crew in attendance at the screening. The film certainly has it’s Toronto roots showing as it was filmed here (although it’s actually set in the US), with familiar faces & locations on screen. We follow a family through a dysfunctional and eccentric set siblings Ray, Lisa and Maury and their grandmother from Japan, however a language barrier exists between the generations. It’s not the only barrier here as there are strong emotional barrier in each of the characters, all of whom have their own issues to work though. It’s an interesting tale of the individual journeys with the collective family journey, which although unintended become completely intertwined.Read More »