
First part of an over four hour documentary for TV in which Rivette visited Renoir at his country place, lunched with him, and let him talk about his work, interspersed with extracts from some of his oeuvre.Read More »

First part of an over four hour documentary for TV in which Rivette visited Renoir at his country place, lunched with him, and let him talk about his work, interspersed with extracts from some of his oeuvre.Read More »

Shot in 1972, this remarkable documentary was released ten years later and had its first Western film festival screenings last year. “Gyula Gazdag is an outstanding Hungarian talent who seems to specialize in getting into trouble. This film, which he made with Judit Ember, another alert and sensitive director, was banned for ten years. In it, a rural community is in financial trouble and an expert from Budapest is sent to advise and reorganize. He is successful but his manner angers the local committee. Despite their own management failure, they feel his arrogance should be the subject of a reprimand at least.Read More »

The camera follows newly-elected President John F. Kennedy around the White House as he conducts his daily business, meeting with various people in the Oval Office to discuss matters of government. Flashbacks to the 1960 campaign and footage from his 1961 Inauguration show how Kennedy rose to take on “the free world’s most awesome responsibility”. To supplement the President’s discussions on policy, the camera shows viewers the economic hardships of a West Virginia mining town and takes them along on a diplomatic trip to Ethiopia.Read More »

From the blu-ray cover:
Henri Storck (Ostend 1907 – Brussels 1999) lived through the whole history of cinema, passing from silent to sound, and from experimental to commercial films. He is recognised as a pioneer of Belgian cinema and a key figure in documentary. Misère au Borinage, which he co-directed with Joris Ivens in 1933, has become a classic of the ‘cinema of reality’ with which he was most closely associated.Read More »

Set in Istanbul, the film opens with a surprisingly candid scene of Baldwin leisurely awakening in his bedroom. Sedat Pakay, a Turkish filmmaker who studied with Walker Evans, is known for his photographic portraits of famous artists and writers, Baldwin among them. Here in Istanbul, Baldwin seems relatively relaxed, walking among crowds in a public park or on the city’s streets. His focus is personal, even intimate: “The life I live is very different from what people imagine. I love a few men. I love a few women. Love comes in many strange packages; it never comes to you as you think it will. I think the trick is to say yes to life.” He speaks of how difficult it is concentrate and to write in the United States and says that “American men are paranoiac on the subject of homosexuality.” The film offers us a self-reflective James Baldwin, one who fearlessly examines his most private thoughts and feelings.Read More »

The city of Marseille, close to the estuary of the Rhône River, has long been recognized as an important transit port for all of Europe. Nestler’s film is set against the backdrop of the industrialization at Fos-sur-Mer, some 32 kilometers northwest of Marseille. It gives an account of the port’s development since the late 1960s. In addition, Fos-sur-Mer recalls the living conditions of some 7.000 laborers working on this industrial site.Read More »

The documentary chronicles about four decades in a small farming village of Eressos on the island of Lesbos, where lesbian women from around the world have been gathering since the late ’70s.Read More »

Quote:
Documentary that covers the famous and successful expedition of the Everest conquest by Tenzing Norgay and Edmund Hillary, the first climbers to reach its peak.Read More »