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A Moroccan woman’s search for truth tangles with a web of lies in her family history. As a daughter and filmmaker, she fuses personal and national history as she reflects on the 1981 Bread Riots, drawing out connections to modern Morocco.Read More »
The director, a married woman without children, deals with the issue of infertility in the country of Niger, by sharing stories of stigmatized wives, husbands who refuse to be tested (or who abandon the women and take up with other wives.) The project was inspired by the death of the director’s own mother in childbirth.Read More »
Synopsis
This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil’s colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner.
Be aware that the film’s final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.Read More »
An intimate, career-spanning portrait of Ukrainian immigrant Eugene Hütz, chronicling his childhood journey to the U.S., his rise to fame with immigrant punk band Gogol Bordello and his defiant return to Ukraine after the Russian invasion.Read More »
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.Read More »
DESCRIPTION
In the 15th century, in Portugal, a group of monks built a wall around a forest and prevented the entry of women. But the hands of the living cannot control everything: in the invisible world, where night reigns and only souls light up the forest, women have built their kingdom of invisibility, without walls.Read More »
Tom Berninger chronicles his time spent on the road as a member of the tour crew for The National, the rock & roll band fronted by his brother, Matt.Read More »
“In the summer of 1996, we filmed application training courses in which one learns how to apply for a job. School drop-outs, university graduates, people who have been retained, the long-term unemployed, recovered drug addicts, and mid-level managers – all of them are supposed to learn how to market and sell themselves, a skill to which the term ‘self management’ is applied. The self is perhaps nothing more than a metaphysical hook from which to hand a social identity. It was Kafka who likened being accepted to a job to entering the Kingdom of Heaven; the paths leading to both are completely uncertain. Today one speaks of getting a job with the greatest obsequiousness, but without any grand expectations.” Harun FarockiRead More »